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we would be freer (Rana Nazzal Hamadeh, 2023)
we would be freer (Rana Nazzal Hamadeh, 2023)

    we would be freer

    Rana Nazzal Hamadeh, Palestine, Canada, 2023, 8’

    Rana Nazzal Hamadeh’s colourful, low-resolution imagery searches for indigenous plants, ravaged by settlement colonialism. More than a condemnation, Hamadeh’s docu-essay feels like a reappraisal of the (political) power that lies within crops like deerhorn and sumac. The medicinal properties of their leaves and roots in the cuisines and landscapes of both Native Americans and Palestinians—represented here on a sparse soundtrack by Linda Deer and Raya Ziada—serve as a bridge connecting their peoples from a distance.

    Despite the often contextless close-ups, the personal experiences of the two women feel like an alternative biology lesson—untouched by a dominant Western view on medicine. Their herbarium does not contain hydrogel for burns, but staghorn fern. Sumac harvesting is practical knowledge, not an internet search term. Their connection with nature is one that Westerners have long forgotten. It testifies to a greater self-reliance that must be preserved at all costs. Ziada phrases it as such: “If we don't have sovereignty over our food, we’ll always be dominated.”

    Flo Vanhorebeek
    500

    This film was part of yanco’s April 2026 calendar

    documentary politics history

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    À Gis

    Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

    The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

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    Paradise

    Laura Vandewynckel, Belgium, 2014, 6’

    People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    3723 km As the Crow Flies

    Oksana Luyssen, Ysé Auguste-Dormeuil, Belgium, 2024, 15’

    Obtaining official documents is a symbol of coveted freedom and security for migrants. But how do you navigate the administrative labyrinth? This film explores the relationship between identity, race, and European bureaucracy.

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    Devotion

    Cynthia Madansky, Turkey, 2003, 34’

    A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

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    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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    Expires in 20 days
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    Women I Love

    Barbara Hammer, USA, 1976, 23’

    A series of cameo portraits of Barbara Hammer’s friends and lovers intercut with a playful celebration of fruits and vegetables in nature. The culminating footage evokes a tantric painting of sustained sexuality.

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    Magic, a portrait of Joris

    Chloë Delanghe, Belgium, 2018, 15’

    In Magic, a portrait of Joris, images sourced from different periods in time are glued together. Worn-out VHS footage filmed by the artist’s father is placed beside 8mm images she filmed herself. Both have the same subject: one boy, both a son and a brother. Connecting images of then and now, a new narrative of remembering opens up.

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