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we would be freer (Rana Nazzal Hamadeh, 2023)
we would be freer (Rana Nazzal Hamadeh, 2023)

    we would be freer

    Rana Nazzal Hamadeh, Palestine, Canada, 2023, 8’

    Rana Nazzal Hamadeh’s colourful, low-resolution imagery searches for indigenous plants, ravaged by settlement colonialism. More than a condemnation, Hamadeh’s docu-essay feels like a reappraisal of the (political) power that lies within crops like deerhorn and sumac. The medicinal properties of their leaves and roots in the cuisines and landscapes of both Native Americans and Palestinians—represented here on a sparse soundtrack by Linda Deer and Raya Ziada—serve as a bridge connecting their peoples from a distance.

    Despite the often contextless close-ups, the personal experiences of the two women feel like an alternative biology lesson—untouched by a dominant Western view on medicine. Their herbarium does not contain hydrogel for burns, but staghorn fern. Sumac harvesting is practical knowledge, not an internet search term. Their connection with nature is one that Westerners have long forgotten. It testifies to a greater self-reliance that must be preserved at all costs. Ziada phrases it as such: “If we don't have sovereignty over our food, we’ll always be dominated.”

    Flo Vanhorebeek
    500

    This film was part of yanco’s April 2026 calendar

    documentary politics history

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    The Migrating Image

    Stefan Kruse Jørgensen, Denmark, 2018, 28’

    Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

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    Language of the Entrails

    Luciana Decker Orozco, Bolivia, USA, 2025, 12’

    A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    3723 km As the Crow Flies

    Oksana Luyssen, Ysé Auguste-Dormeuil, Belgium, 2024, 15’

    Obtaining official documents is a symbol of coveted freedom and security for migrants. But how do you navigate the administrative labyrinth? This film explores the relationship between identity, race, and European bureaucracy.

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    Loveboard

    Felipe Casanova, Belgium, Switzerland, 2023, 17’

    A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

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    Expires in 22 days
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    Dream of Silk

    Nahid Rezaei, Iran, 2003, 43’

    Filmmaker Nahid Rezaei returns to her all-girls high school to explore the lives of young students in Tehran. At times, the girls are very open about their hopes and dreams, sweet even, but when their future is discussed, they are occasionally sad.

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    This Day Won’t Last

    Mouaad el Salem, Belgium, Tunisia, 2020, 25’

    In this urgent diary film about longing for freedom and community, the filmmaker reflects on the individual yet collective experience of growing up queer in Tunisia today.

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    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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