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Tango
Tango (Zbigniew Rybczyński, 1981)

    Tango

    Zbigniew Rybczyński, Poland, 1981, 8’

    A static camera observes a room as it slowly fills with thirty-six characters from different stages of life, looping further through an absurd dance of social disconnection.

    Zbigniew Rybczynski worked eight hours a day for ten months on the Oscar-winning Tango. He brings together a jumble of cut-out photos featuring countless figures of all kinds and ages in a flawlessly synchronised animation. The work was formally highly innovative at the time, establishing Rybczynski as one of the most inventive experimental filmmakers in Europe in the 1980s. 

    Bio Zbigniew Rybczyński

    Polish multimedia artist Zbigniew Rybczyński (1949) has won numerous prestigious industry awards, including the 1983 Academy Award for Best Animated Short Film for Tango. He is renowned for his innovative audiovisual techniques and pioneering experimentation in new image technology.
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    • This film was #12 in the “Greatest” Short Films of All Time 2025
      voted by Kornél Szilágyi, Emilia Mazik, Mackenzie Fincham, Flavia Mazzarino, Marcin Luczaj, Ivan Ramljak, Diana Cam Van Nguyen, Aleksandra Ławska, Sven Pötting, Carlos Ramos, Marie Ketzscher, Joanna Baranowska, Tony Hill, Simone Bardoni
    animation experimental

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    Downside Up

    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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    Back and Forth

    Lisa Foster, Belgium, 2018, 4’

    We all have a different rhythm. This film is a dance about individual rhythms that go together, seem to clash, or just stay separate.

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    The Age of Anxiety

    Taiki Sakpisit, Thailand, 2013, 14’

    An audiovisual meditation on the fin de siècle in Thailand.

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    Blow Up My Town

    Chantal Akerman, Belgium, 1968, 13’

    A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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    À l’usage des vivants

    Pauline Fonsny, Belgium, 2019, 27’

    In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

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    elephantfish

    Meltse Van Coillie, Belgium, 2018, 27’

    A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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