Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Index
  • The Little Girl Who Sold the Sun
The Little Girl Who Sold the Sun
La petite vendeuse de soleil (Djibril Diop Mambéty, 1999)

    The Little Girl Who Sold the Sun

    La petite vendeuse de soleil
    Djibril Diop Mambéty, France, Senegal, Switzerland, 1999, 45’

    Extraordinary twelve-year-old actor, Lissa Baléra, portrays Sili Laam, a girl from a shantytown who, despite a disability that requires her to use crutches, travels to the city and becomes an itinerant newspaper vendor. She is so successful that she incurs the resentment—and the violence—of her young male competitors, whom she faces down with courage and resilience.

    For many years, newspapers have been sold on the streets of Dakar by boys. They don’t accept Sili. This is their territory. But Sili is successful: on the first day, someone buys all her papers and gives her a big tip. No one believes she earned the money honestly. She is picked up by the police, but eventually they let her go. Sili uses the money she has earned to buy a parasol for her blind grandmother. The rest she gives to lepers. This short film is a hymn to the courage of street children.

    Mambety’s richly textured view of urban life fuses fiction and documentary, displaying the rampant poverty and endemic misogyny in the modernising capital. With fable-like lyricism, he contrasts the bitter competition among the poor with exemplary acts of audacious solidarity—and shows the vital public culture that arises spontaneously from the struggles of street people. The movie is a virtual musical, featuring religious chants from a teacher, and songs that stream from a boom box. Sili leads the street dance, blending fantasy and practicality with joyful wonder.

    Bio Djibril Diop Mambéty

    Djibril Diop Mambéty (1945-1998) was a Senegalese film director, actor, orator, composer, and poet. Though he made only two feature films and five short films, they received international acclaim for their original and experimental cinematic technique and non-linear, unconventional narrative style. Born to a Muslim family near Dakar, Mambéty was Wolof. He died in 1998 while being treated for lung cancer in a Paris hospital.
    448
    • This film was #28 in the “Greatest” Short Films of All Time 2025
      voted by Julian Ross, Claire Diao, Didi Cheeka, Tendai Mutambu, Delphine Jeanneret, Tomáš Hudák, Iris Rottschaefer, Joseph Pomp
    documentary fiction coming-of-age portrait

    Watch more

    Read more

    Because We Are Visual

    Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

    By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

    Read more
    Read more

    Carnations

    Martijn Van de Wiele, Belgium, 2021, 16’

    An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

    Read more
    Read more

    10th of November | 09:05

    Els Opsomer, Belgium, Turkey, 2008, 14’

    Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

    Read more
    Read more

    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

    Read more
    Read more

    Atopia

    Olivier De Vos, Belgium, 2021, 18’

    An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

    Read more
    Read more

    The White Elephant

    Shuruq Harb, Palestine, 2018, 12’

    Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

    Read more
    Read more

    Pirate Boys

    Pol Merchan, Germany, 2018, 13’

    Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

    Read more
    Read more

    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

    Read more
    Log in or register to start watching.

    Subscribe for €30 and get one-year access to the 70+ films in our streaming library. This supports not only our magazine but also the filmmakers we represent. 

    subscribe

    yanco is a magazine and streaming library for short-form moving image

    kortfilm.be vzw
    Boondaalse Steenweg 249
    1050 Elsene
    BE 0478 441 315
    info@yanco.be

    with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

    VAF
    • about
    • colophon
    • privacy policy
    Facebook Instagram LinkedIn YouTube Letterboxd
    design by de Ronners
    website by eps en kaas