Iris Rottschaefer is Acquisition Programme Manager for WDR/ARTE.
Iris Rottschaefer
Iris Rottschaefer participated in “Greatest” Short Films of All Time 2025, a first-ever poll of its kind as a collective love letter to the art of short-form moving image. yanco and Kurzfilm Festival Hamburg, in collaboration with Talking Shorts, invited filmmakers, curators, distributors, critics, and scholars worldwide to nominate 10 audiovisual works under sixty minutes that they personally consider the “greatest” of all time. This was Iris Rottschaefer’s submission:
| Movie | Original Title | Director | Country | Year | Duration | |
|---|---|---|---|---|---|---|
| I Love Hooligans | Jan-Dirk Bouw | The Netherlands | 2013 | 13’ | ||
A story is told in documentary style from off-screen and translated into comic form. A gay man in the hooligan scene. Through this narrative style, the author succeeds in creating a vivid portrait of a young man who longs for closeness but cannot live in his environment. |
||||||
| The Red Suitcase | Cyrus Neshvad | Luxembourg | 2022 | 18’ | ||
A short film that provides insight into the forced marriage of young girls. The conflict experienced by the young woman at Luxembourg airport, where she is picked up by her future husband, whom she has never met, is portrayed in an incredibly suspenseful manner, and the viewer experiences a rollercoaster of emotions. There is little dialogue, but the images and soundtrack are very expressive. |
||||||
| Timecode | Juanjo Giménez Pena | Spain | 2017 | 15’ | ||
A man and a woman monitor a car park via camera. A monotonous job that takes a surprising turn thanks to a shared passion. A surprising and humorous rapprochement between two people through dance, which they both communicate to each other via video recordings. The film is touching, poetic and well shot, but at the same time funny because the setting is completely unsuitable for dancing. |
||||||
| The Suitcase | Abi Damaris Corbin | USA | 2017 | 20’ | ||
Joe Franek works at the airport as a baggage handler. His life is turned upside down when he steals a suitcase containing plans for a terrorist attack. Very exciting and impressive, as it is inspired by 9/11 and makes you realise that it could happen again at any time. Great actors. |
||||||
| I Was Only 14 | Froukje van Wengerden | The Netherlands | 2019 | 12’ | ||
In the short film ‘I Was Only 14’, Dutch director Froukje van Wengerden combines the voice of her 86-year-old grandmother with the faces of girls who are 14 years old today. An incredibly moving story, but one told with strength, courage and confidence by the 86-year-old woman. |
||||||
| The Silent Child The Silent Child | Chris Overton | United Kingdom | 2017 | 20’ | ||
In the Oscar-winning short film The Silent Child, a girl suffering from deafness learns to communicate with her environment when a compassionate social worker teaches her sign language. The viewer is immersed in a world without language, allowing them to experience it firsthand through the images and the touching story. |
||||||
| My Dad Is 100 Years Old | Guy Maddin | Canada | 2005 | 17’ | ||
A wonderful tribute to your father Roberto Rossellini on the occasion of his 100th birthday in 2006. Impressive visual realisation. Black-and-white images, some blurred, as if filmed underwater or in fog. In it, Isabella Rossellini transforms herself into various great directors such as Hitchcock, Fellini, etc., who engage in entertaining discourse. |
||||||
| La petite vendeuse de soleil The Little Girl Who Sold the Sun | Djibril Diop Mambéty | France, Senegal, Switzerland | 1999 | 45’ | ||
The viewer is immersed in the colourful but very poor region of Senegal. Emotional, imaginative but confident, the little girl implements her plan and becomes the radiant yellow queen in yellow, like the sun. |
||||||
| Balance | Christoph Lauenstein, Wolfgang Lauenstein | Germany | 1989 | 8’ | ||
With seemingly simple sketches, the film creates an eerie and suspenseful atmosphere. |
||||||
| One Shot | Dietrich Brüggemann | Germany | 2011 | 11’ | ||
A German-Turkish-gay film kiss leads to astonishing complications. In a single long shot, the most popular clichés about integration issues parade across the screen one after the other. A humorous film about integration, migration and religion. The participants try to avoid all the usual clichés, but fail, leading to chaotic and lively confusion. An entertaining film with a serious background. |
||||||