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Jaime
Jaime (António Reis, 1974)

    Jaime

    António Reis, Portugal, 1974, 35’

    Jaime Fernandes was a peasant born in Covilhã, in central Portugal. At 38, he was diagnosed with paranoid schizophrenia and admitted to Miguel Bombarda Hospital, where he would reside until his death at the age of 69. In the last four years of his life, and due to the influence of the social and hospital environment, he produced a short but extraordinarily prolific body of pictorial works. 

    Filmmaker António Reis (with the help of Margarida Cordeiro, his wife, and a psychiatrist at Miguel Bombarda) portrays the life and work of this man from the artistic legacy he left behind—a fundamental work of New Portuguese Cinema. 

    Bio António Reis

    António Reis (1927-1991) is revered in his native Portugal as a visionary artist whose films exerted an immeasurable influence over the post-Salazar rebirth of Portuguese cinema in the 1980s and 1990s. Born in Oporto, Reis found renown first as a poet before meeting the great Manoel de Oliveira, who invited Reis to be assistant director on the radical masterpiece Rite of Spring.  Their pioneering mode of poetic ethnographic cinema guided the course of the four extraordinary works Reis co-directed with his wife, the psychiatrist Margarida Cordeiro (b. 1939), culminating in Trás-os-Montes, a lyrical search for the very “soul” of Portuguese cult …
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    • This film was #62 in the “Greatest” Short Films of All Time 2025
      voted by Edward McCarry, Carlos Ramos, Luís Fernando Moura, Cátia Rodrigues, Lin He
    documentary portrait

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    Self-Portrait

    Jonas Mekas, USA, 1980, 20’

    In what one could call Jonas Mekas’ first video blog, the Lithuanian avant-garde filmmaker reflects on his life and the art of cinema and representation.

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    +6 Gain

    Jorn Plucieniczak, Belgium, 2019, 26’

    Symen and Sam pass their time in the monotony of a post-industrial suburb. They seem to linger in a kind of perpetual twilight countered by the invisible presence of ‘hardcore’. While gaming, they end up searching for the core of their desires.

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    Before Then

    Mengzhu Xue, China, Germany, 2024, 30’

    Every form of communication involves deciphering codes. In Before Then, Mengzhu Xue attempts to confess a secret in the form of a letter in English, which she writes out phonetically in Chinese, and asks her grandmother to read out loud.

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    I Don’t Feel At Home Anywhere Anymore

    Viv Li, Belgium, China, 2020, 16’

    A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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    Mars, Oman

    Vanessa del Campo, Belgium, 2019, 20’

    Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

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    Love Goes Through The Stomach

    NEOZOON, Germany, 2017, 15’

    Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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    Da-Dzma

    Jaro Minne, Belgium, 2019, 16’

    Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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