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  • Henry is a Girl Who Likes to Sleep
Henry is a Girl Who Likes to Sleep (Marthe Peters, 2026)
Henry is a Girl Who Likes to Sleep (Marthe Peters, 2026)

    Henry is a Girl Who Likes to Sleep

    Marthe Peters, Belgium, 2026, 13’

    “Dear Henry, I love you, and I love who I am when I am with you, with our small heads and our constant longing for sleep, or at least for a horizontal life.” The filmmaker seeks in her beloved cat Henry something soft and tender to inhabit, a little fur to retreat into. Between bedsheets and freckles, a love declaration emerges. This fragile collage traces a pathway between intimacy, vulnerability, and warmth. An ode to the intimate worlds where we learn to live and to rest.

    Bio Marthe Peters

    Dutch filmmaker Marthe Peters lives and works in Ghent since graduating from KASK School of Arts in 2023. Her film Baldilocks premiered at Berlinale Shorts and went on to screen at festivals including Courtisane, Karlovy Vary, Seminci Valladolid, and at the Barbican in London. Her work depicts her daily reality in an intimate way, focusing on the banal as something important and worthy, as individuals search for solace and care for one another.

    Henry is a Girl Who Likes to Sleep (Marthe Peters, 2026)
    Henry is a Girl Who Likes to Sleep (Marthe Peters, 2026)
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    In the Bosom of Images

    Marthe Peters’ Henry is a Girl Who Likes to Sleep (2026)

    Öykü Sofuoğlu
    31.03.2026

    Henry is a Girl Who Likes to Sleep finds the filmmaker once again looking back at herself, this time by orienting her gaze toward her beloved cat, the titular Henry—a chubby white feline with tricoloured splotches on her fur. Throughout the film, Marthe Peters delivers a playful voice-over addressed to Henry, drawing comparisons between their bodies, their unique habits and traits, while also questioning the love and affection she may be burdening her cat with.

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    This film was highlighted in yanco’s magazine

    documentary portrait

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    Because We Are Visual

    Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

    By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

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    Empty House

    Gina Kim, South Korea, USA, 1999, 24’

    This video diary depicts a young woman’s flat, the fears and fantasies about her body plainly revealed as she wakes up with a bloated face, full of self-loathing after a night of compulsive over-eating.

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    Devotion

    Cynthia Madansky, Turkey, 2003, 34’

    A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

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    All We Ever Wanted Was Everything

    Enzo Smits, Belgium, 2014, 19’

    A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

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    Mars, Oman

    Vanessa del Campo, Belgium, 2019, 20’

    Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

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    Trajectory Drift

    Iván Castiñeiras Gallego, France, United Kingdom, 2018, 24’

    In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.

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    10th of November | 09:05

    Els Opsomer, Belgium, Turkey, 2008, 14’

    Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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    Note on Multitude

    Ibro Hasanović, Belgium, Kosovo, 2015, 8’

    Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

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