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The Devil’s Toy

Rouli-roulant
Claude Jutra, Canada, 1966, 15’

1966. Church bells welcome the new day in this black-and-white Quebec: ducks swim across a park pond, a neatly dressed young family strolls along asphalt pathways. But sudden electric string music signals disaster, and a radio voice warns us: “There is a plague spreading from city to city. A dread disease which needs only pavement to multiply and proliferate”. 

Nevertheless, young lads storm the streets like a horde of zombies on their new four-wheeled evil contraptions: skateboards! Skateboarding, a then-new pastime viewed with suspicion by the police and adults, gave young people a thrilling sense of speed and freedom. In The Devil’s Toy, youngsters reclaim the streets. Residential areas, parks and motorways serve as battlegrounds between them and the respectable citizens who use the might of the law to have their toys confiscated. 

Canadian filmmaker Claude Jutra watches from the sidelines, using dynamic camerawork and a satirical wink that, through voice-overs, presents the entire film as a Public Service Announcement. Dedicated to all victims of intolerance.

Flo Vanhorebeek

Bio Claude Jutra

Claude Jutra (1930-1986) was a Canadian actor, film director, and screenwriter. He joined the National Film Board of Canada (NFB) in 1956, where he trained in all facets of filmmaking. Claude Jutra's film career paralleled Quebec cinema itself. Starting as an amateur when Quebec cinema was just taking shape, he participated in several of its key developments: traditional documentaries and docudramas at the NFB; the germinal period of direct cinema; the first independent film productions; and the later trend toward large-budget features. 

Sluiten
Brown Bag (Ari Marcopoulos, 2020)
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essay
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14.11.2026

In 1998, Nike launched an ad series, “What If We Treated All Athletes the Way We Treat Skateboarders?”, featuring parodies that portrayed runners, golfers, and tennis players being regulated and harassed for simply playing their sports. The quirky subversion of the public scrutiny skaters face reveals the brand’s ambition to enter the lucrative market of underground youth by showing it gets the community. Now considered iconic for its creativity, the campaign was received poorly by the skaters themselves at the time. Their skepticism toward outsiders’ image-making attests to the subculture’s anti-establishment values, which have long found expression in DIY practices of self-documentation.

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Credits

Script
Claude Jutra
Cast
Charles Denner, Marc Harvey, Pierre Charpentier
Camera
Michel Brault
Editor
Werner Nold
Music
Geneviève Bujold, Pierre Florent Brault
Producer
Marcel Martin
Production
National Film Board of Canada (NFB)
557
documentary fiction humour satire

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Blow Up My Town

Chantal Akerman, Belgium, 1968, 13’

A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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New Shoes: An Interview in Exactly 5 Minutes

Ann Marie Fleming, Canada, 1990, 5’

A candid conversation between two women at a kitchen table. Full of astonishing details, it describes a memory from an abusive relationship and its disastrous end.

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Pirate Boys

Pol Merchan, Germany, 2018, 13’

Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

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All We Ever Wanted Was Everything

Enzo Smits, Belgium, 2014, 19’

A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters as they go about their daily routines: riding their skateboards, hanging out, daydreaming.

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Skateboard Sense

Sidney Davis, USA, 1975, 9’

In this safety video, Sidney Davis warns of the ‘dangers’ of skateboarding in a light-hearted manner. The film offers a basic guide for the novice skater: regularly check the bolts on your wheels and find a spot with few people around.

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lau persijn, Belgium, 2024, 19’

How to listen to a space considered empty? underneath it flickers suggests different perspectives on La Friche Josaphat, a verdant fallow land in Brussels threatened by real estate development.

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Magic, a portrait of Joris

Chloë Delanghe, Belgium, 2018, 15’

In Magic, a portrait of Joris, images sourced from different periods in time are glued together. Worn-out VHS footage filmed by the artist’s father is placed beside 8mm images she filmed herself. Both have the same subject: one boy, both a son and a brother. Connecting images of then and now, a new narrative of remembering opens up.

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Noonlight

Kayt Schneider, Belgium, 1991, 10’

Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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