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Cat Listening to Music
Chat écoutant de la musique (Chris Marker, 1988)

    Cat Listening to Music

    Chat écoutant de la musique
    Chris Marker, France, 1988, 3’

    A cat is half-sleeping, half-listening to Federico Mompou’s “Pájaro triste”. This first tape in Chris Marker’s Bestiaire trilogy, a series of short films devoted exclusively to animals, features his beloved cat, Guillaume-en-Egypte, in his “most widely acclaimed” screen role. As Marker recalls, “he was fond of Ravel (any cat is), but he had a special crush on Mompou. That day (a beautiful sunny day, I remember) I placed Volume I of the complete “Mompou by Mompou” on the CD player to please him…”. 

    Bio Chris Marker

    Chris Marker (France, 1921-2012) was a writer, poet, photographer, multimedia artist, and documentary filmmaker. He began his career as part of the French Rive Gauche group—parallel to but distinct from the Nouvelle Vague—with which he would later share certain themes and collaborators. Marker is considered a pioneer of subjective documentary and collective cinema. His films, such as La Jetée (1962) and Sans soleil (1983), are known for their poetic, essayistic, and often experimental qualities, blending a reflective voice with a fascination for memory, art, war, and politics. Over six decades of work, he observed the world with meticulous cu …
    400
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Farah Hasanbegović, Laura Staab, Wiwat Lertwiwatwongsa, Heleen Gerritsen
    documentary portrait

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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    Because We Are Visual

    Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

    By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

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