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The Big Shave
The Big Shave (Martin Scorsese, 1967)

    The Big Shave

    Martin Scorsese, USA, 1967, 6’

    A spotless white bathroom quickly turns blood-stained in Martin Scorsese’s daring student film. A sleepy man walks into a bathroom, lathers his face with shaving cream, and starts trimming. He then applies more shaving cream and starts a second shave. Although this time his body, the sink, the razor, and the floor are incrementally covered in blood, he continues unperturbed until the whole screen colours red.

    Because the credits include the text “Viet '67”, the short film is considered an allegory for the Vietnam War, the main character’s self-mutilation serving as a metaphor for the self-destructive American involvement in the war. 

    The Big Shave premiered in 1968 at the Festival of Experimental Cinema in Knokke, Belgium, and won the Prix de l’Âge d’Or.

    Bio Martin Scorsese

    Martin Charles Scorsese (1942) is one of the most important figures of the New Hollywood era and has received, among other things, an Academy Award, four BAFTA Awards, three Emmy Awards, a Grammy Award, and three Golden Globe Awards. Scorsese won the Palme d’Or in Cannes with Taxi Driver (1976). Like the latter, four of his other films were added to the National Film Registry by the Library of Congress as being “culturally, historically or aesthetically significant”: Mean Streets (1973), The Last Waltz (1978), Raging Bull (1980), and Goodfellas (1990).

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    416
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Yorgos Angelopoulos, Daniel Mattes, Cynthia Felando, Inge Coolsaet
    fiction politics horror

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    Language of the Entrails

    Luciana Decker Orozco, Bolivia, USA, 2025, 12’

    A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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    Yarokamena

    Andrés Jurado, Colombia, Portugal, 2022, 21’

    In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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    Un Chien Andalou

    Luis Buñuel, France, 1929, 21’

    Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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    Meander

    Joke Liberge, Belgium, 2005, 15’

    On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters.

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    Nowhere Else

    Lee Kyeong-won, South Korea, 2021, 28’

    After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.

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    D’un château l’autre

    Emmanuel Marre, Belgium, 2018, 40’

    Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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