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  • The Big Shave
The Big Shave
The Big Shave (Martin Scorsese, 1967)

    The Big Shave

    Martin Scorsese, USA, 1967, 6’

    A spotless white bathroom quickly turns blood-stained in Martin Scorsese’s daring student film. A sleepy man walks into a bathroom, lathers his face with shaving cream, and starts trimming. He then applies more shaving cream and starts a second shave. Although this time his body, the sink, the razor, and the floor are incrementally covered in blood, he continues unperturbed until the whole screen colours red.

    Because the credits include the text “Viet '67”, the short film is considered an allegory for the Vietnam War, the main character’s self-mutilation serving as a metaphor for the self-destructive American involvement in the war. 

    The Big Shave premiered in 1968 at the Festival of Experimental Cinema in Knokke, Belgium, and won the Prix de l’Âge d’Or.

    Bio Martin Scorsese

    Martin Charles Scorsese (1942) is one of the most important figures of the New Hollywood era and has received, among other things, an Academy Award, four BAFTA Awards, three Emmy Awards, a Grammy Award, and three Golden Globe Awards. Scorsese won the Palme d’Or in Cannes with Taxi Driver (1976). Like the latter, four of his other films were added to the National Film Registry by the Library of Congress as being “culturally, historically or aesthetically significant”: Mean Streets (1973), The Last Waltz (1978), Raging Bull (1980), and Goodfellas (1990).
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    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Yorgos Angelopoulos, Daniel Mattes, Cynthia Felando, Inge Coolsaet
    fiction politics horror

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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