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World of Glory
World of Glory (Roy Andersson, 1991)

    World of Glory

    Härlig är jorden
    Roy Andersson, Sweden, 1991, 17’

    At the outskirts of a city, a group of people stands around a lorry. Naked men, women, and children are herded in through the rear door of the vehicle. Once the door is locked, a gentleman takes a hose and connects it from the exhaust pipe to the lorry’s interior. Then the lorry drives around in circles. A middle-aged man steps to the front of the scene, turns to the camera, and tells the story of his life. 

    Bio Roy Andersson

    Roy Andersson (1943, Sweden) is a writer and filmmaker. The year after graduating from the Swedish Film School, he made his first feature film, A Swedish Love Story (1970), which won four prizes at the Berlin Film Festival. He established a film studio and directed Songs from the Second Floor, which won the Special Jury Prize at the Cannes Film Festival in 2000. It was the first chapter of “The Living Trilogy”, followed by You, the Living. In 2009, the Museum of Modern Art in New York held an exhibition of his work to celebrate his distinctive filmmaking style, characterised by stationary shots, meticulously conceived tableaux, absurdist comedy, and an essential humanity. Fifteen years in the making, the final part of his trilogy, A Pigeon Sat on a Branch Reflecting on Existence (2014), was awarded the Golden Lion for Best Film at the Venice Film Festival.

    The opening scene of World of Glory is a reconstruction of events during the Second World War and of the total brutality which marked “ethnic cleansings”. That term did not exist then, it was called the “final solution”, but meant the extermination of Jews, Gypsies, homosexuals, and political dissidents. Human beings were put to death by, among other methods, gassing in diesel-driven, closed vans. The gas from the motor was piped into the storage compartment. These vans were the forerunners of the gas chamber.

    Roy Andersson
    La Jetée
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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    • This film was #22 in the “Greatest” Short Films of All Time 2025
      voted by Wouter Jansen, Farid Rodriguez Rivero, Claudio Zilleruelo Arca, Jukka-Pekka Laakso, Per Fikse, Eneos Çarka, Sandra Leege, Jan Bujnowski, Axel Behrens
    fiction politics history satire

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    Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

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    Un Chien Andalou

    Luis Buñuel, France, 1929, 21’

    Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

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    Christos Massalas, Greece, 2017, 14’

    This is the story of Copa-Loca. Paulina is the girl at the heart of this abandoned Greek summer resort. Everyone cares for her and she cares about everyone – in every possible way.

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Houses With Small Windows

    Bülent Öztürk, Belgium, 2013, 15’

    Dilan pays with her life for her forbidden love for a young man in a neighbouring village—a powerful poetic portrait of an honour killing in the rural Kurdish southeast of Turkey.

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    0.2 Milligrams of Gold

    Diego Quinderé de Carvalho, Belgium, Hungary, Portugal, 2021, 24’

    Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

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