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World of Glory
World of Glory (Roy Andersson, 1991)

    World of Glory

    Härlig är jorden
    Roy Andersson, Sweden, 1991, 17’

    At the outskirts of a city, a group of people stands around a lorry. Naked men, women, and children are herded in through the rear door of the vehicle. Once the door is locked, a gentleman takes a hose and connects it from the exhaust pipe to the lorry’s interior. Then the lorry drives around in circles. A middle-aged man steps to the front of the scene, turns to the camera, and tells the story of his life. 

    Bio Roy Andersson

    Roy Andersson (1943, Sweden) is a writer and filmmaker. The year after graduating from the Swedish Film School, he made his first feature film, A Swedish Love Story (1970), which won four prizes at the Berlin Film Festival. He established a film studio and directed Songs from the Second Floor, which won the Special Jury Prize at the Cannes Film Festival in 2000. It was the first chapter of “The Living Trilogy”, followed by You, the Living. In 2009, the Museum of Modern Art in New York held an exhibition of his work to celebrate his distinctive filmmaking style, characterised by stationary shots, meticulously conceived tableaux, absurdist come …

    The opening scene of World of Glory is a reconstruction of events during the Second World War and of the total brutality which marked “ethnic cleansings”. That term did not exist then, it was called the “final solution”, but meant the extermination of Jews, Gypsies, homosexuals, and political dissidents. Human beings were put to death by, among other methods, gassing in diesel-driven, closed vans. The gas from the motor was piped into the storage compartment. These vans were the forerunners of the gas chamber.

    Roy Andersson
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    • This film was #22 in the “Greatest” Short Films of All Time 2025
      voted by Wouter Jansen, Farid Rodriguez Rivero, Claudio Zilleruelo Arca, Jukka-Pekka Laakso, Per Fikse, Eneos Çarka, Sandra Leege, Jan Bujnowski, Axel Behrens
    fiction politics history satire

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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