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World of Glory
World of Glory (Roy Andersson, 1991)

    World of Glory

    Härlig är jorden
    Roy Andersson, Sweden, 1991, 17’

    At the outskirts of a city, a group of people stands around a lorry. Naked men, women, and children are herded in through the rear door of the vehicle. Once the door is locked, a gentleman takes a hose and connects it from the exhaust pipe to the lorry’s interior. Then the lorry drives around in circles. A middle-aged man steps to the front of the scene, turns to the camera, and tells the story of his life. 

    Bio Roy Andersson

    Roy Andersson (1943, Sweden) is a writer and filmmaker. The year after graduating from the Swedish Film School, he made his first feature film, A Swedish Love Story (1970), which won four prizes at the Berlin Film Festival. He established a film studio and directed Songs from the Second Floor, which won the Special Jury Prize at the Cannes Film Festival in 2000. It was the first chapter of “The Living Trilogy”, followed by You, the Living. In 2009, the Museum of Modern Art in New York held an exhibition of his work to celebrate his distinctive filmmaking style, characterised by stationary shots, meticulously conceived tableaux, absurdist comedy, and an essential humanity. Fifteen years in the making, the final part of his trilogy, A Pigeon Sat on a Branch Reflecting on Existence (2014), was awarded the Golden Lion for Best Film at the Venice Film Festival.

    The opening scene of World of Glory is a reconstruction of events during the Second World War and of the total brutality which marked “ethnic cleansings”. That term did not exist then, it was called the “final solution”, but meant the extermination of Jews, Gypsies, homosexuals, and political dissidents. Human beings were put to death by, among other methods, gassing in diesel-driven, closed vans. The gas from the motor was piped into the storage compartment. These vans were the forerunners of the gas chamber.

    Roy Andersson
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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    • This film was #22 in the “Greatest” Short Films of All Time 2025
      voted by Wouter Jansen, Farid Rodriguez Rivero, Claudio Zilleruelo Arca, Jukka-Pekka Laakso, Per Fikse, Eneos Çarka, Sandra Leege, Jan Bujnowski, Axel Behrens
    fiction politics history satire

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    D’un château l’autre

    Emmanuel Marre, Belgium, 2018, 40’

    Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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    Pirate Boys

    Pol Merchan, Germany, 2018, 13’

    Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

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    A Letter to Mohamed

    Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

    This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

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    Paradise

    Laura Vandewynckel, Belgium, 2014, 6’

    People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

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    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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    Devotion

    Cynthia Madansky, Turkey, 2003, 34’

    A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

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    The White Elephant

    Shuruq Harb, Palestine, 2018, 12’

    Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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    The Summer Movie

    Emmanuel Marre, Belgium, 2017, 30’

    A film about highways, tourists, concrete picnic tables, and lukewarm melons. About a man who wants to leave and a child who stops him. A summer movie.

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