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  • The Wagoner
The Wagoner
Borom Sarret (Ousmane Sembène, 1963)

    The Wagoner

    Borom sarret
    Ousmane Sembène, France, Senegal, 1963, 18’

    Ousmane Sembène’s first film uses a mixture of documentary and fiction techniques to tell the story of a young cart-driver in Dakar. He is robbed by a succession of dishonest passengers and ends up having his cart confiscated by the police, thereby losing not only his means of livelihood but his sole claim to self-respect in a poverty-ridden community.

    The film illustrates the continent’s poverty, showing that independence has not solved the problems of its people. The Wagoner is often considered the first film made in Africa by a Black African. 

    Bio Ousmane Sembène

    The Los Angeles Times considered Senegalese Ousmane Sembène (1923—2007)  one of the greatest writers of Africa. He has also often been called the ‘Father of African film’. A firm believer in the big screen, he refused to release his films on video and DVD for many years. This led to few opportunities to see his films, compounded by the racism that relegates pioneering Black and African directors to history’s margins. He came of age in Senegal’s segregated cinemas, which he attended almost every day.
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    • This film was #37 in the “Greatest” Short Films of All Time 2025
      voted by Juliana Arana Toscano, Claire Diao, Didi Cheeka, Ruun Nuur, Malik Berkati, Carlos Ramos, Vincent Förster
    documentary fiction politics portrait

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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