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  • The Wagoner
The Wagoner
Borom Sarret (Ousmane Sembène, 1963)

    The Wagoner

    Borom sarret
    Ousmane Sembène, France, Senegal, 1963, 18’

    Ousmane Sembène’s first film uses a mixture of documentary and fiction techniques to tell the story of a young cart-driver in Dakar. He is robbed by a succession of dishonest passengers and ends up having his cart confiscated by the police, thereby losing not only his means of livelihood but his sole claim to self-respect in a poverty-ridden community.

    The film illustrates the continent’s poverty, showing that independence has not solved the problems of its people. The Wagoner is often considered the first film made in Africa by a Black African. 

    Bio Ousmane Sembène

    The Los Angeles Times considered Senegalese Ousmane Sembène (1923—2007)  one of the greatest writers of Africa. He has also often been called the ‘Father of African film’. A firm believer in the big screen, he refused to release his films on video and DVD for many years. This led to few opportunities to see his films, compounded by the racism that relegates pioneering Black and African directors to history’s margins. He came of age in Senegal’s segregated cinemas, which he attended almost every day.
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    • This film was #37 in the “Greatest” Short Films of All Time 2025
      voted by Juliana Arana Toscano, Claire Diao, Didi Cheeka, Ruun Nuur, Malik Berkati, Carlos Ramos, Vincent Förster
    documentary fiction politics portrait

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    Self-Portrait

    Jonas Mekas, USA, 1980, 20’

    In what one could call Jonas Mekas’ first video blog, the Lithuanian avant-garde filmmaker reflects on his life and the art of cinema and representation.

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    Pirate Boys

    Pol Merchan, Germany, 2018, 13’

    Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

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    Trains de plaisir

    Henri Storck, Belgium, 1930, 8’

    The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

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    Note on Multitude

    Ibro Hasanović, Belgium, Kosovo, 2015, 8’

    Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    Empty House

    Gina Kim, South Korea, USA, 1999, 24’

    This video diary depicts a young woman’s flat, the fears and fantasies about her body plainly revealed as she wakes up with a bloated face, full of self-loathing after a night of compulsive over-eating.

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    elephantfish

    Meltse Van Coillie, Belgium, 2018, 27’

    A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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