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Tongues Untied
Tongues Untied (Marlon Riggs, 1989)

    Tongues Untied

    Marlon Riggs, USA, 1989, 55’

    A polemical, avowedly personal video documentary on the American Black gay experience. Marlon Riggs celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of poet Essex Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men dancing, and various comic riffs. 

    Made, in the director’s own words, to “shatter the nation’s brutalising silence on matters of sexual and racial difference,” this radical blend of documentary and performance defies the stigmas surrounding Black gay sexuality in the belief that, as long as shame prevails, liberation cannot be possible. Tongues Untied gives voice to what it means to live in both a Black community rife with homophobia and a predominantly white gay subculture poisoned by racism. 

    A lightning rod in the culture wars of the 1980s that incited a right-wing furor over public funding for the arts, the film has lost none of its life-affirming resonance today. As a character says in the film: “If in America a Black is the lowest of the low, what is a gay Black?” 

    Bio Marlon Riggs

    Marlon Riggs (19571994) was an American filmmaker, professor, poet, and gay rights activist. He made several television documentaries, such as Tongues Untied (1989) and Black is... Black Ain’t (1994). Riggs created aesthetically innovative and socially provocative films that examine representations of race and sexuality in America. 
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    • This film was #37 in the “Greatest” Short Films of All Time 2025
      voted by Yann Gonzalez, David Bakum, Kareem Jamaal Baholzer, Ron Ma, Rémi Bigot, Matti Ullrich, Wim Vanacker
    essay documentary politics history portrait queer

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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