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Speech for a Melting Statue (Collectif Faire-part, 2023)
Speech for a Melting Statue (Collectif Faire-part, 2023)

    Speech for a Melting Statue

    Collectif Faire-part, Belgium, DR Congo, 2023, 10’

    In June 2020, as thousands marched against institutional racism and police brutality in Brussels, the statue of King Leopold II became the focal point. Inspired by the toppling of the same statue in Kinshasa, Collectif Faire-Part’s Speech for a Melting Statue follows poet Marie Paule Mugeni as she delivers a speech anticipating its eventual removal from the city.

    Lyse Nsengiyumva, IFFR

    Bio Collectif Faire-part

    Collectif Faire-part is an ensemble of Belgian and Congolese artists. Together, they aim to tell new stories about Kinshasa and Brussels and the many complex relations between them. Besides their shared practice, they also try to support each other in their personal artistic projects. The group was founded by filmmakers Anne Reijniers, Paul Shemisi, Nizar Saleh, and Rob Jacobs in 2016. Over recent years, the collective of four has shape-shifted into a larger group of regular collaborators between Belgium and DR Congo, in which team compositions change with each project. Collectif Faire-part also curates film programmes, leads workshops, engages in photography, and organises festivals. The ensemble hopes to open Kinshasa’s first independent cinema in the years to come.

    Speech for a Melting Statue (Collectif Faire-part, 2023)
    Speech for a Melting Statue (Collectif Faire-part, 2023)
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    Beyond Leopold II’s Empty Pedestal

    Collectif Faire-part’s Speech for a Melting Statue (2023)

    Nadia Nsayi Madjedjo
    14.09.2026

    Speech for a Melting Statue by Collectif Faire-part examines a social issue that has long been a concern in Belgium—in part due to activist campaigns—but only truly made its way onto the political agenda around the time of the Black Lives Matter movement: how should we best deal with colonial monuments in public spaces?

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    essay documentary politics architecture history

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    I Don’t Feel At Home Anywhere Anymore

    Viv Li, Belgium, China, 2020, 16’

    A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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    D’un château l’autre

    Emmanuel Marre, Belgium, 2018, 40’

    Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    The Jungle Knows You Better Than You Do

    Juanita Onzaga, Belgium, Colombia, 2017, 20’

    Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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    Note on Multitude

    Ibro Hasanović, Belgium, Kosovo, 2015, 8’

    Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

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    Carnations

    Martijn Van de Wiele, Belgium, 2021, 16’

    An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

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    0.2 Milligrams of Gold

    Diego Quinderé de Carvalho, Belgium, Hungary, Portugal, 2021, 24’

    Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

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