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  • Song of Love
Un chant d’amour
Un chant d’amour (Jean Genet, 1950)

    Song of Love

    Un Chant d’amour
    Jean Genet, France, 1950, 26’

    The work of French activist, novelist, and essayist Jean Genet was considered controversial in the forties and fifties, because of its explicit homosexuality. Genet made only one film in his entire life, but A Song of Love went on to inspire both David Bowie and Rainer Werner Fassbinder. 

    The black-and-white film depicts the horny fantasies of some prisoners and their guard. A Song of Love is at once arousing, poetic, and implicitly political. After being banned from the big screen for years, the film was finally shown publicly for the first time in 1954, albeit stripped of any bare chest or penis.

    Bio Jean Genet

    Jean Genet (1910–1986) was born in Paris. Abandoned by his mother at seven months, he was raised in state institutions and charged with his first crime when he was ten. After spending many of his teenage years in a reformatory, Genet enrolled in the Foreign Legion, though he later deserted, turning to a life of thieving and pimping that resulted in repeated jail terms and, eventually, a sentence of life imprisonment. In prison, Genet began to write—poems and prose that combined pornography and an open celebration of criminality with an extraordinary baroque, high literary style—and on the strength of this work found himself acclaimed by such …

    There is a close relationship between flowers and convicts. The fragility and delicacy of the former are of the same nature as the brutal insensitivity of the latter. My excitement is the oscillation from one to the other.

    Jean Genet
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    • This film was #10 in the “Greatest” Short Films of All Time 2025
      voted by Niels Putman, Flavia Dima, Oana Ghera, Diego Armando Aparicio, Tianyu Jiang, Yann Gonzalez, Nina de Vroome, Öykü Sofuoğlu, Inge Coolsaet, Călin Boto, Sebastian Apel, Hannes Wesselkämper, Bernd Brehmer, Nel Dahl, Moritz Maul
    fiction eroticism fantasy queer romance

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    Da-Dzma

    Jaro Minne, Belgium, 2019, 16’

    Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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