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  • Song of Love
Un chant d’amour
Un chant d’amour (Jean Genet, 1950)

    Song of Love

    Un Chant d’amour
    Jean Genet, France, 1950, 26’

    The work of French activist, novelist, and essayist Jean Genet was considered controversial in the forties and fifties, because of its explicit homosexuality. Genet made only one film in his entire life, but A Song of Love went on to inspire both David Bowie and Rainer Werner Fassbinder. 

    The black-and-white film depicts the horny fantasies of some prisoners and their guard. A Song of Love is at once arousing, poetic, and implicitly political. After being banned from the big screen for years, the film was finally shown publicly for the first time in 1954, albeit stripped of any bare chest or penis.

    Bio Jean Genet

    Jean Genet (1910–1986) was born in Paris. Abandoned by his mother at seven months, he was raised in state institutions and charged with his first crime when he was ten. After spending many of his teenage years in a reformatory, Genet enrolled in the Foreign Legion, though he later deserted, turning to a life of thieving and pimping that resulted in repeated jail terms and, eventually, a sentence of life imprisonment. In prison, Genet began to write—poems and prose that combined pornography and an open celebration of criminality with an extraordinary baroque, high literary style—and on the strength of this work found himself acclaimed by such …

    There is a close relationship between flowers and convicts. The fragility and delicacy of the former are of the same nature as the brutal insensitivity of the latter. My excitement is the oscillation from one to the other.

    Jean Genet
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    • This film was #10 in the “Greatest” Short Films of All Time 2025
      voted by Niels Putman, Flavia Dima, Oana Ghera, Diego Armando Aparicio, Tianyu Jiang, Yann Gonzalez, Nina de Vroome, Öykü Sofuoğlu, Inge Coolsaet, Călin Boto, Sebastian Apel, Hannes Wesselkämper, Bernd Brehmer, Nel Dahl, Moritz Maul
    fiction eroticism fantasy queer romance

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    The End of Suffering (A Proposal)

    Jacqueline Lentzou, Greece, 2020, 14’

    Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Jacqueline Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.

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    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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    In Curve Notes _ Stream

    Flavia Regaldo, Portugal, 2023, 7’

    Hand-painted watercolours explore bodies, desire, and the tension between both in this experimental animated film. Due to an explosion of colour and movement that escapes classical animation, an unusual sensorial force is achieved. Alternating colours, lines, and density, the drawings question pornography and normative sexuality.

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    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

    The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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    Scum Mutation

    Ov, France, 2020, 10’

    In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    Impossible Figures and Other Stories II

    Marta Pajek, Poland, 2016, 15’

    A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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    Pirate Boys

    Pol Merchan, Germany, 2018, 13’

    Punk author Kathy Acker’s work is the starting point for a conversation about gender identity and body transformation and is linked to the punk movement of the 1970s and 1980s.

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