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  • Snow Job: The Media Hysteria of AIDS
Snow Job: The Media Hysteria of AIDS (Barbara Hammer, 1986)
Snow Job: The Media Hysteria of AIDS (Barbara Hammer, 1986)

    Snow Job: The Media Hysteria of AIDS

    Barbara Hammer, USA, 1986, 8’

    Barbara Hammer first heard of AIDS in 1985 while she was teaching at Columbia College in Chicago. She noticed strange, inflammatory articles in newspapers and asked her students to collect hysterical headlines for her. This marked the beginning of her work on Snow Job: The Media Hysteria of AIDS.

    In this project, she examined the public ignorance, stigmatisation, and fundamentally misguided attitudes surrounding the new illness. By creating a snowstorm of newspaper clippings, she aimed to reveal the extent to which the media was producing a “snow job”.

    Bio Barbara Hammer

    Barbara Hammer (1939-2019) was an American feminist filmmaker, visual artist, and lesbian activist with a career spanning over fifty years—constructing revelations on gender and sexuality, and later illness and mortality. She produced over ninety films, ranging from experimental shorts to essays and full-length documentaries, as well as performances, installations, and photographs that illuminate the representation of lesbian lives. In her work, Hammer explodes traditional notions of female sexuality by showing it for what it is: complex, messy, human.

    528

    This film was part of Barbara Hammer: A Short Film Retrospective, an event during Film Fest Gent 2026, in collaboration with yanco and Art Cinema OFFoff

    documentary politics history queer

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    Olga Lucovnicova, Belgium, Portugal, Hungary, Moldova, 2020, 20’

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    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

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    In Magic, a portrait of Joris, images sourced from different periods in time are glued together. Worn-out VHS footage filmed by the artist’s father is placed beside 8mm images she filmed herself. Both have the same subject: one boy, both a son and a brother. Connecting images of then and now, a new narrative of remembering opens up.

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    Pauline Fonsny, Belgium, 2019, 27’

    In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

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