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  • Snow Job: The Media Hysteria of AIDS
Snow Job: The Media Hysteria of AIDS (Barbara Hammer, 1986)
Snow Job: The Media Hysteria of AIDS (Barbara Hammer, 1986)

    part of
    Barbara Hammer: A Short Film Retrospective

    Snow Job: The Media Hysteria of AIDS

    Barbara Hammer, USA, 1986, 8’

    Barbara Hammer first heard of AIDS in 1985 while she was teaching at Columbia College in Chicago. She noticed strange, inflammatory articles in newspapers and asked her students to collect hysterical headlines for her. This marked the beginning of her work on Snow Job: The Media Hysteria of AIDS.

    In this project, she examined the public ignorance, stigmatisation, and fundamentally misguided attitudes surrounding the new illness. By creating a snowstorm of newspaper clippings, she aimed to reveal the extent to which the media was producing a “snow job”.

    Bio Barbara Hammer

    Barbara Hammer (1939-2019) was an American feminist filmmaker, visual artist, and lesbian activist with a career spanning over fifty years—constructing revelations on gender and sexuality, and later illness and mortality. She produced over ninety films, ranging from experimental shorts to essays and full-length documentaries, as well as performances, installations, and photographs that illuminate the representation of lesbian lives. In her work, Hammer explodes traditional notions of female sexuality by showing it for what it is: complex, messy, human.

    Audience (Barbara Hammer, 1982)
    Audience (Barbara Hammer, 1982)
    essay
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    Dead, I Won’t Be Forgotten

    Barbara Hammer’s Legacy

    Carmel Curtis
    05.10.2026

    The five works in Film Fest Gent’s Barbara Hammer: A Short Film Retrospective, presented in collaboration with yanco and Art Cinema OFFoff, span thirty-five years and together they demonstrate a pattern in Barbara’s work: no disguise. What she felt in her own body and what she showed on screen were often the same sensation, not translated but transmitted. In that transparency, her personal vulnerability can expand outward into something universal that extends beyond the individual body and beyond the screen.

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    528
    documentary politics history queer

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    A man opens the large gate of the Lumière factory in Lyon, France, in 1895. Through the gate and a smaller door next to it, workers stream out for lunch. Once all the workers have left the factory, the gatekeeper closes the gate again.

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    Snow Edge

    Juan Francisco Rodríguez, Colombia, 2021, 15’

    The thaw of the so-called eternal snow of Páramo, a neotropical alpine ecosystem in the high Andes, exposes a layer of meaning about the origins and survival of the landscape.

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    À Gis

    Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

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    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

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    Noonlight

    Kayt Schneider, Belgium, 1991, 10’

    Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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    On Its Way Down

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    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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