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Salut les Cubains
Salut les Cubains (Agnès Varda, 1963)

    Salut les Cubains

    Hello Cubans
    Agnès Varda, Cuba, France, 1963, 30’

    During her vacation in Cuba in 1963, four years after Fidel Castro came to power, Agnès Varda made a photo report about Cuban society and culture after the revolution. As the Instituto Cubano del Arte e Industria Cinematográficos didn’t grant her permission to shoot a film, instead, back home, she worked with her thousands of pictures. 

    This delightful black-and-white composition, described by Varda as “a mixture of socialism and cha-cha-cha,” makes the edit resemble a choreography and intermingles the photos with catchy Cuban rhythms. Varda also exploresthe effects of the revolution on Cuba's people.

    Bio Agnès Varda

    Agnès Varda (1928-2019) was a Belgian-born French film director. She studied Art History at the École du Louvre and photography at the École des Beaux-Arts but also held a Bachelor’s in Literature and Psychology from the Sorbonne. While working as a photographer, Varda became interested in making a film, even though she knew little about the industry. Varda’s feature film debut was La Pointe Courte (1955), but her film Cléo de 5 à 7 (1961) established her name and became a landmark of the French New Wave. Varda wanted to make films in line with her time, rather than focusing on traditions or classical standards.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    403
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Kalash Nanda Kumar, Daniela Hanusová, Sven Pötting, Olivier Hadouchi
    documentary history portrait

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    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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    10th of November | 09:05

    Els Opsomer, Belgium, Turkey, 2008, 14’

    Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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    The White Elephant

    Shuruq Harb, Palestine, 2018, 12’

    Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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    Workers Leaving the Lumière Factory

    Louis Lumière, France, 1895, 1’

    A man opens the large gate of the Lumière factory in Lyon, France, in 1895. Through the gate and a smaller door next to it, workers stream out for lunch. Once all the workers have left the factory, the gatekeeper closes the gate again.

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    3723 km As the Crow Flies

    Oksana Luyssen, Ysé Auguste-Dormeuil, Belgium, 2024, 15’

    Obtaining official documents is a symbol of coveted freedom and security for migrants. But how do you navigate the administrative labyrinth? This film explores the relationship between identity, race, and European bureaucracy.

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    Akaboum

    Manon Vila, France, 2019, 30’

    A portrait of contemporary suburban youth seeking to invent new contours of collective identity, against the backdrop of France in the throes of recession.

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    Waithood

    Louisiana Mees-Fongang, Belgium, 2019, 21’

    In Athens, five youngsters avoid waiting for an empty future by seeking entertainment in the luxurious Airbnb establishments that one of them is cleaning for a meagre fee.

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    The Motherfucker’s Birthday

    Saif Alsaegh, Iraq, USA, 2024, 6’

    Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.

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