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  • Like An Event In A Dream Dreamt By Another - Rehearsal
Like An Event In A Dream Dreamt By Another - Rehearsal (Firas Shehadeh, 2023)
Like An Event In A Dream Dreamt By Another - Rehearsal (Firas Shehadeh, 2023)

    part of
    Ludic Cartopgrahies

    Like An Event In A Dream Dreamt By Another - Rehearsal

    Firas Shehade, Palestine, 2023, 14’

    In the Grand Theft Auto series, Los Santos is a fictional city in San Andreas. Players from the so-called “third world” use this virtual arena, this digital open world, to shape their reality to their liking. This short video essay, created at the request of the Singapore Art Museum, explores how Palestinian gamers mimic life under colonial occupation in Los Santos as a virtual proxy of the state of Palestine.

    “In the real world, players from colonised nations may never have the chance to fulfill the role of the main character, as they are often subalterns. Their struggle lies in becoming the master, the main character, and in-game decisions and team configurations often reflect their real-life experiences and perspectives,” writes Shehade.

    265
    animation essay politics Machinima

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    Back and Forth

    Lisa Foster, Belgium, 2018, 4’

    We all have a different rhythm. This film is a dance about individual rhythms that go together, seem to clash, or just stay separate.

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    Devotion

    Cynthia Madansky, Turkey, 2003, 34’

    A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

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    Red Giant

    Anne Verbeure, Belgium, 2021, 11’

    Day and night, a giant sits on a hill, far away from his smaller fellow man. He fills his days organising things and making sure everything is in the right place at the right time.

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    A Letter to Mohamed

    Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

    This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

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    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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    À l’usage des vivants

    Pauline Fonsny, Belgium, 2019, 27’

    In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

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    Atopia

    Olivier De Vos, Belgium, 2021, 18’

    An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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    The Motherfucker’s Birthday

    Saif Alsaegh, Iraq, USA, 2024, 6’

    Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.

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