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Asparagus
Asparagus (Suzan Pitt, 1979)

    Asparagus

    Suzan Pitt, USA, 1979, 20’

    In Suzan Pitt’s cult classic Asparagus, the indomitable growth of an asparagus plant is associated with female sexuality. As the urbane world turns absurdist, the green fruit transforms this reality.

    Pitt, first a painter and fashion designer, later became an icon within the animation world. Her surreal sensations create worlds where nothing is what it seems. The physical rawness, sharp sense of humour, and kaleidoscopic use of colour define a body of work full of new forms. A landmark in the history of independent animation, Asparagus is a mesmerising exploration of the artist’s inner world. 

    Bio Suzan Pitt

    Suzan Pitt (1943-2019) was an American painter and filmmaker who lived and worked in Europe, Mexico, New York, and Los Angeles. Her short film Asparagus premiered in an installation at the Whitney Museum in 1979 and ran for two years with David Lynch’s Eraserhead in the midnight shows at the Waverly Theater and the NuArt theater in Los Angeles. A retrospective of Suzan Pitt’s prize-winning animated films was presented in 2017 at the Museum of Modern Art in New York. Her paintings and films are in the permanent collections of the Walker Art Center, The Museum of Modern Art, The Stedelijk Museum Amsterdam, and the Academy of Motion Picture Arts …
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    • This film was #62 in the “Greatest” Short Films of All Time 2025
      voted by David Buob, Wouter Jansen, Yann Gonzalez, Manuel Mateo, Vladimir Durán
    animation eroticism fantasy

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    Back and Forth

    Lisa Foster, Belgium, 2018, 4’

    We all have a different rhythm. This film is a dance about individual rhythms that go together, seem to clash, or just stay separate.

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    Impossible Figures and Other Stories II

    Marta Pajek, Poland, 2016, 15’

    A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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