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Asparagus
Asparagus (Suzan Pitt, 1979)

    Asparagus

    Suzan Pitt, USA, 1979, 20’

    In Suzan Pitt’s cult classic Asparagus, the indomitable growth of an asparagus plant is associated with female sexuality. As the urbane world turns absurdist, the green fruit transforms this reality.

    Pitt, first a painter and fashion designer, later became an icon within the animation world. Her surreal sensations create worlds where nothing is what it seems. The physical rawness, sharp sense of humour, and kaleidoscopic use of colour define a body of work full of new forms. A landmark in the history of independent animation, Asparagus is a mesmerising exploration of the artist’s inner world. 

    Bio Suzan Pitt

    Suzan Pitt (1943-2019) was an American painter and filmmaker who lived and worked in Europe, Mexico, New York, and Los Angeles. Her short film Asparagus premiered in an installation at the Whitney Museum in 1979 and ran for two years with David Lynch’s Eraserhead in the midnight shows at the Waverly Theater and the NuArt theater in Los Angeles. A retrospective of Suzan Pitt’s prize-winning animated films was presented in 2017 at the Museum of Modern Art in New York. Her paintings and films are in the permanent collections of the Walker Art Center, The Museum of Modern Art, The Stedelijk Museum Amsterdam, and the Academy of Motion Picture Arts …
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    • This film was #62 in the “Greatest” Short Films of All Time 2025
      voted by David Buob, Wouter Jansen, Yann Gonzalez, Manuel Mateo, Vladimir Durán
    animation eroticism fantasy

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    Red Giant

    Anne Verbeure, Belgium, 2021, 11’

    Day and night, a giant sits on a hill, far away from his smaller fellow man. He fills his days organising things and making sure everything is in the right place at the right time.

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    Scum Mutation

    Ov, France, 2020, 10’

    In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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    Mamada Perdida

    Joke Van den hof, Belgium, 2016, 6’

    It is sometimes said that if a man places a pearl under the skin of his penis, he will bring the woman the greatest pleasure. He grants her the greatest of all pleasures, while she will give him anything he desires. After a playful love dance, she melts into him, at the cost of losing themselves in each other to arrive at their deepest desires.

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    Back and Forth

    Lisa Foster, Belgium, 2018, 4’

    We all have a different rhythm. This film is a dance about individual rhythms that go together, seem to clash, or just stay separate.

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    In Curve Notes _ Stream

    Flavia Regaldo, Portugal, 2023, 7’

    Hand-painted watercolours explore bodies, desire, and the tension between both in this experimental animated film. Due to an explosion of colour and movement that escapes classical animation, an unusual sensorial force is achieved. Alternating colours, lines, and density, the drawings question pornography and normative sexuality.

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    Copa-Loca

    Christos Massalas, Greece, 2017, 14’

    This is the story of Copa-Loca. Paulina is the girl at the heart of this abandoned Greek summer resort. Everyone cares for her and she cares about everyone – in every possible way.

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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