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Angelika Ramlow
Angelika Ramlow nam deel aan de poll “Greatest” Short Films of All Time 2025, een unieke publieksbevraging als collectieve liefdesbrief aan de kunst van de korte film. yanco en Kurzfilm Festival Hamburg, in samenwerking met Talking Shorts, nodigden filmmakers, curatoren, distributeurs, critici en academici wereldwijd uit om tien audiovisuele werken van minder dan zestig minuten te nomineren die zij persoonlijk beschouwen als de “beste” aller tijden. Dit was de inzending van Angelika Ramlow:
| Movie | Original Title | Director | Country | Year | Duration | |
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| Waterfall | Corinne Cantrill, Arthur Cantrill | Australië | 1984 | 16’ | ||
Like a lucid dream, the movements of the water meld into a metaphorical space of constant transformation, which transcends the real and makes palpable the unbridled force of nature. It is one of the Cantrills’ most famous films and offers a unique viewing experience thanks to its brilliant interlacing of form, subject and apparatus. |
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| The Doctor’s Dream | Ken Jacobs | Verenigde Staten | 1978 | 23’ | ||
The Doctor’s Dream uses ruptures and rearranges the film images from an old television film, bringing to the surface the latent sexual connotations inherent in the story. Broken up in this way, the story of an elderly doctor who is curing a sick young girl appears in a totally new light. In this work Ken Jacobs returns the forbidden and the rejected to visibility. The appropriation and artistic processing of existing materials becomes a seismograph of the Zeitgeist depicted in the film. |
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| Loose Corner | Anita Thatcher | Verenigde Staten | 1986 | 10’ | ||
With Loose Corner we enter the space of optical illusions, in which our visual habits are turned upside down, so to speak, with the help of optical tricks, and thus approach the manifold forms of expression of the cinematic apparatus. |
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| All My Life | Bruce Baillie | Verenigde Staten | 1966 | 3’ | ||
One shot, early summer in Mendocino. Song, All My Life, by Ella Fitzgerald with Tedd Wilson and his orchestra. Melancholy in its beauty. |
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| Rabbit’s Moon | Kenneth Anger | Verenigde Staten | 1971 | 16’ | ||
poetic hommage to the silent area of cinema full of magic |
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| My Name is Oona | Gunvor Nelson | Verenigde Staten | 1966 | 10’ | ||
The experience of a child where both bliss and fear reigns in an expressive rhythmical and visual structure. Wild and free. |
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| Saute ma ville Blow Up My Town | Chantal Akerman | België | 1968 | 13’ | ||
Just a wild film, dealing with loneliness, rage and trauma. |
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| In the Street | Helen Levitt | Verenigde Staten | 1948 | 21’ | ||
I admire Helen Lewitt as a brilliant photograper. The images in this film are breath taking. Filmed in East Harlem just after the end of World War II, In the Street is a dynamic, tender, and often humorous portrait of life in New York City. |
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| Nuit et brouillard Night and Fog | Alain Resnais | Frankrijk | 1955 | 32’ | ||
Ten years after the liberation of the Nazi concentration camps, filmmaker Alain Resnais documented the abandoned grounds of Auschwitz. A disturbing but very important film. |
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| Hapax Legomena III: Critical Mass | Hollis Frampton | Verenigde Staten | 1971 | 26’ | ||
“As a work of art I think (Critical Mass) is quite universal and deals with all quarrels (those between men and women, or men and men, or women and women, or children, or war). It is war!... It is one of the most delicate and clear statements of inter-human relationships and the difficulties of them that I have ever seen. It is very funny, and rather obviously so. It is a magic film in that you can enjoy it, with greater appreciation, each time you look at it. Most aesthetic experiences are not enjoyable on the surface. You have to look at them a number of times before you are able to fully enjoy them, but this one stands up at once, and again and again, and is amazingly clear.” – Stan Brakhage. This statement is perfect, nothing to add. |
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