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Wasp
Wasp (Andrea Arnold, 2003)

    Wasp

    Andrea Arnold, United Kingdom, 2003, 26’

    In late summer, wasps cannot find enough food to feed their young, so they start looking for sweets. Although they are not especially aggressive, they will sting if provoked… Wasp follows a single mother too young to  have four children, and too poor to feed them. When she runs into an ex-boyfriend, very eager to score a date with him, she pretends she is just babysitting the kids.  

    Andrea Arnold writes about what she knows. The Oscar-winning Wasp was shot in Dartford, a south-east London working-class suburb, where Arnold grew up. 

    Bio Andrea Arnold

    Andrea Arnold (1961) began her career aged 18 as a roller-skating presenter of the British children’s TV show No 73, before studying directing at the American Film Institute in Los Angeles. She won numerous awards with her first short film Milk (1998), and went on to receive an Oscar for Wasp in 2005. Andrea Arnold can look back on an outstanding body of work. Her first feature film, the thriller Red Road (2006), won the Jury Prize in Cannes, as did Fish Tank (2009) and American Honey (2016). 

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    • This film was #12 in the “Greatest” Short Films of All Time 2025
      voted by Yorgos Angelopoulos, Giselle Lin, Nina Rodríguez, Tianyu Jiang, Najrin Islam, Marcin Luczaj, Elspeth Vischer, Diana Cam Van Nguyen, Anna Feistel, Anne Turek, Clara Helbig, Philip Ilson, Jason Anderson, Hilke Rönnfeldt
    fiction drama

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    Da-Dzma

    Jaro Minne, Belgium, 2019, 16’

    Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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    Oh Willy...

    Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

    A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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    Language of the Entrails

    Luciana Decker Orozco, Bolivia, USA, 2025, 12’

    A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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    Under the Sun

    Eduardo Esquivel, Mexico, 2017, 15’

    Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    Copa-Loca

    Christos Massalas, Greece, 2017, 14’

    This is the story of Copa-Loca. Paulina is the girl at the heart of this abandoned Greek summer resort. Everyone cares for her and she cares about everyone – in every possible way.

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    Nowhere Else

    Lee Kyeong-won, South Korea, 2021, 28’

    After going missing, a woman is unable to remember her past until her former husband pays her a visit and she recalls a memory of where she lived with the man a long time ago.

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