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The Vampires of Poverty
The Vampires of Poverty (Carlos Mayolo & Luis Ospina, 1977)

    The Vampires of Poverty

    Agarrando Pueblo
    Carlos Mayolo, Luis Ospina, Colombia, 1977, 29’

    A TV film crew is shooting in the streets of Cali, searching for poor people, bums, whores, street kids, in order to build a mise-en-scene of misery. The Vampires of Poverty is an action film masquerading as a documentary about filmmakers who exploit poverty for profit, with a touch of black humour, but most of all a scathing critique against ‘misery porn’ and the opportunism of those filmmakers who make ‘socio-political’ films in the Third World to make money and win prizes in Europe.

    Bio Carlos Mayolo

    Colombian Carlos Mayolo (1945–2007) began his career as a documentary director and occasionally as an actor. In 1974, he created the documentary ¡Chile no se rinde, carajo! together with Jaime Osorio, which focused on Augusto Pinochet’s dictatorship and the protests. The Vampires of Poverty (1978) was produced together with Luis Ospina.

    Bio Luis Ospina

    Luis Ospina (1949-2019) studied film at UCLA and has made many short and feature-length films, including Capítulo 66 with Raul Ruíz. From 2007 until his death in 2019, he was the Artistic Director of the Cali International Film Festival. 

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    • This film was #20 in the “Greatest” Short Films of All Time 2025
      voted by Natalia Christofoletti Barrenha, Affonso Uchôa, José Emilio González, Mariana Hristova, Manuel Mateo, Matías Piñeiro, Farid Rodriguez Rivero, Tomáš Hudák, Lucía Salas, Carlos Velandia
    fiction action politics mockumentary

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    Meander

    Joke Liberge, Belgium, 2005, 15’

    On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters.

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    Language of the Entrails

    Luciana Decker Orozco, Bolivia, USA, 2025, 12’

    A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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    Under the Sun

    Eduardo Esquivel, Mexico, 2017, 15’

    Ana’s life changes radically when she divorces at the age of 40. In front of her family, it gets harder every day to keep pretending everything is fine.

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

    The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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    10th of November | 09:05

    Els Opsomer, Belgium, Turkey, 2008, 14’

    Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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    Houses With Small Windows

    Bülent Öztürk, Belgium, 2013, 15’

    Dilan pays with her life for her forbidden love for a young man in a neighbouring village—a powerful poetic portrait of an honour killing in the rural Kurdish southeast of Turkey.

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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