Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Index
  • Solidarity
Solidarity
Solidarity (Joyce Wieland, 1973)

    Solidarity

    Joyce Wieland, Canada, 1973, 11’

    The Dare Strike took place from May 1972 until January 1974. The workers were asking for gender equality, fair pay, and better working conditions in the factory. Two-thirds of the workers were female and were offered a 45-cents-per-hour raise over two years, compared to the 55-cents-per-hour raise for male workers. The union demanded a 40-cent-per-hour raise for every year of service. 

    In Solidarity (1973), Joyce Wieland creates an amazing record of one of the last demonstrations before Dare Foods’ union-busting campaign was, unfortunately, successful. The heroine of striking itself is the feet, the labourers of our bodies. The film humorously ends on the paws of a dog, prompting the environmental effects of capitalist corporations. The word “SOLIDARITY” superimposed over the image is a radical act in itself, clarifying Wieland’s political position. Her function is to be an activist, not merely to document. Solidarity forever.

    Nazlı Dinçel, MoMA

    Bio Joyce Wieland

    Born and raised in Toronto, Joyce Wieland (1930–1998) was one of Canada’s most prominent and prolific twentieth-century artists. She spent the late 1950s and early 1960s drawing and painting, and was increasingly included in exhibitions across the country. Beginning in 1962, she spent a decade in New York City, making assemblages, quilts, and experimental films while continuing to show her work. Wieland explored a wide array of cinematic modes of expression, from short political films to full-length features and documentaries.
    422
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Julian Ross, Andréa Picard, Jefferson Crawford, Deborah Stratman
    documentary politics history

    Watch more

    Read more

    The Migrating Image

    Stefan Kruse Jørgensen, Denmark, 2018, 28’

    Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

    Read more
    Read more

    Note on Multitude

    Ibro Hasanović, Belgium, Kosovo, 2015, 8’

    Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

    Read more
    Read more

    Empty House

    Gina Kim, South Korea, USA, 1999, 24’

    This video diary depicts a young woman’s flat, the fears and fantasies about her body plainly revealed as she wakes up with a bloated face, full of self-loathing after a night of compulsive over-eating.

    Read more
    Read more

    Carnations

    Martijn Van de Wiele, Belgium, 2021, 16’

    An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

    Read more
    Read more

    Scum Mutation

    Ov, France, 2020, 10’

    In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

    Read more
    Read more

    D’un château l’autre

    Emmanuel Marre, Belgium, 2018, 40’

    Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

    Read more
    Read more

    elephantfish

    Meltse Van Coillie, Belgium, 2018, 27’

    A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

    Read more
    Read more

    All We Ever Wanted Was Everything

    Enzo Smits, Belgium, 2014, 19’

    A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

    Read more
    Log in or register to start watching.

    Subscribe for €30 and get one-year access to the 70+ films in our streaming library. This supports not only our magazine but also the filmmakers we represent. 

    subscribe

    yanco is a magazine and streaming library for short-form moving image

    kortfilm.be vzw
    Boondaalse Steenweg 249
    1050 Elsene
    BE 0478 441 315
    info@yanco.be

    with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

    VAF
    • about
    • colophon
    • privacy policy
    Facebook Instagram LinkedIn YouTube Letterboxd
    design by de Ronners
    website by eps en kaas