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Solidarity
Solidarity (Joyce Wieland, 1973)

    Solidarity

    Joyce Wieland, Canada, 1973, 11’

    The Dare Strike took place from May 1972 until January 1974. The workers were asking for gender equality, fair pay, and better working conditions in the factory. Two-thirds of the workers were female and were offered a 45-cents-per-hour raise over two years, compared to the 55-cents-per-hour raise for male workers. The union demanded a 40-cent-per-hour raise for every year of service. 

    In Solidarity (1973), Joyce Wieland creates an amazing record of one of the last demonstrations before Dare Foods’ union-busting campaign was, unfortunately, successful. The heroine of striking itself is the feet, the labourers of our bodies. The film humorously ends on the paws of a dog, prompting the environmental effects of capitalist corporations. The word “SOLIDARITY” superimposed over the image is a radical act in itself, clarifying Wieland’s political position. Her function is to be an activist, not merely to document. Solidarity forever.

    Nazlı Dinçel, MoMA

    Bio Joyce Wieland

    Born and raised in Toronto, Joyce Wieland (1930–1998) was one of Canada’s most prominent and prolific twentieth-century artists. She spent the late 1950s and early 1960s drawing and painting, and was increasingly included in exhibitions across the country. Beginning in 1962, she spent a decade in New York City, making assemblages, quilts, and experimental films while continuing to show her work. Wieland explored a wide array of cinematic modes of expression, from short political films to full-length features and documentaries.
    422
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Julian Ross, Andréa Picard, Jefferson Crawford, Deborah Stratman
    documentary politics history

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    Ours is a Country of Words

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    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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