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Solidarity
Solidarity (Joyce Wieland, 1973)

    Solidarity

    Joyce Wieland, Canada, 1973, 11’

    The Dare Strike took place from May 1972 until January 1974. The workers were asking for gender equality, fair pay, and better working conditions in the factory. Two-thirds of the workers were female and were offered a 45-cents-per-hour raise over two years, compared to the 55-cents-per-hour raise for male workers. The union demanded a 40-cent-per-hour raise for every year of service. 

    In Solidarity (1973), Joyce Wieland creates an amazing record of one of the last demonstrations before Dare Foods’ union-busting campaign was, unfortunately, successful. The heroine of striking itself is the feet, the labourers of our bodies. The film humorously ends on the paws of a dog, prompting the environmental effects of capitalist corporations. The word “SOLIDARITY” superimposed over the image is a radical act in itself, clarifying Wieland’s political position. Her function is to be an activist, not merely to document. Solidarity forever.

    Nazlı Dinçel, MoMA

    Bio Joyce Wieland

    Born and raised in Toronto, Joyce Wieland (1930–1998) was one of Canada’s most prominent and prolific twentieth-century artists. She spent the late 1950s and early 1960s drawing and painting, and was increasingly included in exhibitions across the country. Beginning in 1962, she spent a decade in New York City, making assemblages, quilts, and experimental films while continuing to show her work. Wieland explored a wide array of cinematic modes of expression, from short political films to full-length features and documentaries.

    La Jetée
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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    422
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Julian Ross, Andréa Picard, Jefferson Crawford, Deborah Stratman
    documentary politics history

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    Love Goes Through The Stomach

    NEOZOON, Germany, 2017, 15’

    Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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    Mars, Oman

    Vanessa del Campo, Belgium, 2019, 20’

    Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

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    The Jungle Knows You Better Than You Do

    Juanita Onzaga, Belgium, Colombia, 2017, 20’

    Two siblings roam the mystical landscapes of Colombia, searching for their dead father's spirit. Their journey takes them from the city of Bogotá to the jungle, through realms of thought and deep into their haunted dreams.

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    Paradise

    Laura Vandewynckel, Belgium, 2014, 6’

    People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

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    Self-Portrait

    Jonas Mekas, USA, 1980, 20’

    In what one could call Jonas Mekas’ first video blog, the Lithuanian avant-garde filmmaker reflects on his life and the art of cinema and representation.

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    My Uncle Tudor

    Olga Lucovnicova, Belgium, Portugal, Hungary, Moldova, 2020, 20’

    After twenty years of silence, filmmaker Olga Lucovnicova returns to her great-grandparents’ home, where she endured traumatic experiences that left a lasting impression on her memory.

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    3723 km As the Crow Flies

    Oksana Luyssen, Ysé Auguste-Dormeuil, Belgium, 2024, 15’

    Obtaining official documents is a symbol of coveted freedom and security for migrants. But how do you navigate the administrative labyrinth? This film explores the relationship between identity, race, and European bureaucracy.

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    The White Elephant

    Shuruq Harb, Palestine, 2018, 12’

    Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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