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Deborah Stratman
Deborah Stratman participated in “Greatest” Short Films of All Time 2025, a first-ever poll of its kind as a collective love letter to the art of short-form moving image. yanco and Kurzfilm Festival Hamburg, in collaboration with Talking Shorts, invited filmmakers, curators, distributors, critics, and scholars worldwide to nominate 10 audiovisual works under sixty minutes that they personally consider the “greatest” of all time. This was Deborah Stratman’s submission:
| Movie | Original Title | Director | Country | Year | Duration | |
|---|---|---|---|---|---|---|
| Lightning | Paul Kos, Marlene Kos | USA | 1976 | 1’ | ||
| Solidarity | Joyce Wieland | Canada | 1973 | 11’ | ||
| Surely Bach Closed the Door When He Wanted to Work Seguro que Bach cerraba la puerta cuando quería trabajar | Narcisa Hirsch | Argentina | 1979 | 27’ | ||
| Fake Fruit Factory | Chick Strand | USA | 1986 | 22’ | ||
| Nicht versöhnt oder Es hilft nur Gewalt, wo Gewalt herrscht Not Reconciled | Jean-Marie Straub & Danièle Huillet | Germany | 1966 | 55’ | ||
| Peggy and Fred in Hell | Leslie Thornton | USA | 1985 | 20’ | ||
| Reassemblage: From the Firelight to the Screen | Trịnh T. Minh-hà | Senegal, USA | 1983 | 40’ | ||
| The Girl Chewing Gum | John Smith | United Kingdom | 1976 | 12’ | ||
| The House Is Black Khaneh siah ast | Forugh Farrokzhad | Iran | 1963 | 22’ | ||
| Jane Brakhage | Barbara Hammer | USA | 1974 | 10’ | ||