Jade Wiseman is a film distributor, curator, and festival producer. Originally from Montréal, Canada, she is now based in Amsterdam, Netherlands. She previously worked at artists’ centre Vidéographe, IDFA, GoShory, and is now coordinating Distribution for Video Power (NL). She is fuelled by an honest passion for non-commercial, experimental moving images and strives to make it more visible and accessible. She has hosted workshops on independent distribution and worked closely with filmmakers to bring their films to wider audiences nationally and internationally. She curated film programmes and crafted distribution policies that champion the fair remuneration of filmmakers. Her main goals are sharing industry knowledge, creating a community around unconventional, experimental moving image practices, and supporting filmmakers.
Jade Wiseman
Jade Wiseman participated in “Greatest” Short Films of All Time 2025, a first-ever poll of its kind as a collective love letter to the art of short-form moving image. yanco and Kurzfilm Festival Hamburg, in collaboration with Talking Shorts, invited filmmakers, curators, distributors, critics, and scholars worldwide to nominate 10 audiovisual works under sixty minutes that they personally consider the “greatest” of all time. This was Jade Wiseman’s submission:
Thanks for everything :) It was quite a difficult exercise, but a lot of fun.
— Jade Wiseman| Movie | Original Title | Director | Country | Year | Duration | |
|---|---|---|---|---|---|---|
| Time of the Buffoons Le Temps des bouffons | Pierre Falardeau | Canada | 1993 | 15’ | ||
One of the most piercing take down of the decadent and self-serving upper crust, in the context of the fraught relationship between the english speaking elite and french speaking working class in 1980's Quebec. Falardeau's crude crescendo of anger and use of ethnological documentary language makes for one of the most memorable film of Quebecois cinema. |
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| Revolutionary Song | Istvan Kantor | Canada | 2005 | 9’ | ||
A simple performance from a polarizing figure of Canadian video art about the failures of revolution, father figures and the need to burn institutions to the ground. It's raw, but the commitment is unparalleled. |
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| The Burden Min börda | Niki Lindroth von Bahr | Sweden | 2017 | 15’ | ||
At the time, this film felt refreshingly fun, as it blends so well the awkwardness of being and existential dread with joyful musical numbers and cute critters. We can still feel its influence to this day. |
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| Wong Ping Fables 1 | Wong Ping | Hong Kong | 2018 | 13’ | ||
There's just nothing like Wong Ping's work, it's truly unique. It's hard to put in words what makes it so appealing, it's such a colourful, grotesque, fun and soul-filling experience. |
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| The Crown Jewels of Iran گنجینههای گوهر | Ebrahim Golestan | Iran | 1965 | 15’ | ||
The juxtaposition between the shiny, mesmerizing precious stones and the acidic narration pointing at every decadent details makes for a strong critique that resonates to this day. |
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| Scorpio Rising | Kenneth Anger | USA | 1964 | 27’ | ||
A classic short that blends underground cultures with pop songs to forge new icons. |
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| Lovely Andrea | Hito Steyerl | Japan, Germany | 2007 | 30’ | ||
Hito's quest through Lovely Andrea is an investigation of identity, fringe cultures and images. There's so much depth but the film is incredibly light hearted. |
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| Frank’s Cock | Mike Hoolboom | Canada | 1993 | 8’ | ||
A poignant, heart-felt and daring film about loss, paired with a poetic split-screen collage that hits you right in the gut. |
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| Black | Anouk De Clercq | Belgium | 2015 | 6’ | ||
This is true analogue cinema royalty. A real experience that can never be experienced in the same way twice. It's such a brilliant and simple premise but really gives the space for the viewer to bask in the glory of the medium. |
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| Blue Heart Coeur Bleu | Samuel Suffren | Haiti, France | 2025 | 15’ | ||
Everything about this film echoes the place its from. From the crew behind the film to the way the story unfolds, to the poetic visual language and richness of the colours. It's a longingly tender journey, with all the beauty and all the sorrow. |
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