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Rubber Coated Steel
Rubber Coated Steel (Lawrence Abu Hamdan, 2017)

    Rubber Coated Steel

    Lawrence Abu Hamdan, Germany, Lebanon, 2017, 22’

    In 2014, artist and forensic audio analyst Lawrence Abu Hamdan examined audio files of the shots that killed Nadeem Nawara and Mohamed Abu Daher in the West Bank of Palestine. The film centres on the gunfire, yet no shots are heard. 

    A detailed acoustic analysis, for which Abu Hamdan used special techniques designed to visualise the sound frequencies, established that live rounds were fired, and an attempt was made to make these fatal shots sound as if they were rubber bullets. These visualisations later became the crucial piece of evidence picked up by news channel CNN and international news agencies, forcing Israel to renounce its original denial. Rubber Coated Steel does not preside over the voices of the victims but seeks to amplify their silence.

    Bio Lawrence Abu Hamdan

    Artist Lawrence Abu Hamdan (Jordan, 1985) practices what he calls “forensic listening” by documenting and analysing sound using video, installation, and live performance. His work frequently explores the relationships among listening, politics, human rights, testimony, and truth through various art disciplines. He also makes audio analyses for legal investigations and advocacy.
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    • This film was #62 in the “Greatest” Short Films of All Time 2025
      voted by Niels Putman, Emilia Mazik, Emily Jisoo Bowles, Peter van Hoof, Pavel Mozhar
    essay experimental politics history

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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