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Rubber Coated Steel
Rubber Coated Steel (Lawrence Abu Hamdan, 2017)

    Rubber Coated Steel

    Lawrence Abu Hamdan, Germany, Lebanon, 2017, 22’

    In 2014, artist and forensic audio analyst Lawrence Abu Hamdan examined audio files of the shots that killed Nadeem Nawara and Mohamed Abu Daher in the West Bank of Palestine. The film centres on the gunfire, yet no shots are heard. 

    A detailed acoustic analysis, for which Abu Hamdan used special techniques designed to visualise the sound frequencies, established that live rounds were fired, and an attempt was made to make these fatal shots sound as if they were rubber bullets. These visualisations later became the crucial piece of evidence picked up by news channel CNN and international news agencies, forcing Israel to renounce its original denial. Rubber Coated Steel does not preside over the voices of the victims but seeks to amplify their silence.

    Bio Lawrence Abu Hamdan

    Artist Lawrence Abu Hamdan (Jordan, 1985) practices what he calls “forensic listening” by documenting and analysing sound using video, installation, and live performance. His work frequently explores the relationships among listening, politics, human rights, testimony, and truth through various art disciplines. He also makes audio analyses for legal investigations and advocacy.

    La Jetée
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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    181
    • This film was #62 in the “Greatest” Short Films of All Time 2025
      voted by Niels Putman, Emilia Mazik, Emily Jisoo Bowles, Peter van Hoof, Pavel Mozhar
    essay experimental politics history

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    Loveboard

    Felipe Casanova, Belgium, Switzerland, 2023, 17’

    A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

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    Following the Object to Its Logical Beginning

    Lynne Sachs, USA, 1987, 7’

    Like an animal in one of Eadweard Muybridge’s scientific photo experiments, five undramatic moments in a man’s life are observed by a woman. A study in visual obsession and a twist on the notion of the “gaze”.

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    Downside Up

    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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    elephantfish

    Meltse Van Coillie, Belgium, 2018, 27’

    A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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    Water and Salt

    Luisa Mello, Belgium, Brazil, 2019, 10’

    A journey through the consciousness of a woman whose country is under threat from a fascist government.

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    Paradise

    Laura Vandewynckel, Belgium, 2014, 6’

    People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

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    10th of November | 09:05

    Els Opsomer, Belgium, Turkey, 2008, 14’

    Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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