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Mobile Men
Mobile Men (Apichatpong Weerasethakul, 2008)

    Mobile Men

    Apichatpong Weerasethakul, Thailand, 2008, 4’

    Two young men in a pickup truck, from different parts of the world, discover each other through the use of a camera. In a windy atmosphere, they initially film close-ups of their bodies, then, little by little, their full figures. As the camera lenses change, a landscape of rice fields and a cinema crew get into the frame. The camera then reshoots the road and the men, as if we were witnessing a film rehearsal.  

    One of the characters has tattoos covering his entire body. He lifts his shirt and tears off a wired microphone taped to his chest. He then pastes it on the tattoo and cries out from the top of his lungs. The microphone picks up the heavy wind noise, and the camera moves to capture his face. He looks directly at the lens and smiles. 

    Bio Apichatpong Weerasethakul

    Filmmaker and visual artist Apichatpong Weerasethakul (Bangkok, 1970) began making films and video shorts in 1994. Celebrated around the world for his tranquil and lyrical works, he received the Cannes Jury Prize in 2021 for Memoria and also won the Palme d’Or in 2010 with Uncle Boonmee Who Can Recall His Past Lives. 

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    426
    • This film was #62 in the “Greatest” Short Films of All Time 2025
      voted by Niels Putman, Dora Leu, Lin Htet Aung, Daniel Mattes, Emerson Goo
    experimental documentary fiction

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    The Living Wardrobe

    Martí Madaula Esquirol, Spain, USA, 2024, 18’

    Martí arrives in Bilbao for an artistic residency. In his new room, his clothes occupy only a small portion of the enormous wardrobe. But when he meets someone, the wardrobe slowly begins to fill up. Where has the emptiness gone, the free space, the little corner that was his?

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    A Letter to Mohamed

    Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

    This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

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    Workers Leaving the Lumière Factory

    Louis Lumière, France, 1895, 1’

    A man opens the large gate of the Lumière factory in Lyon, France, in 1895. Through the gate and a smaller door next to it, workers stream out for lunch. Once all the workers have left the factory, the gatekeeper closes the gate again.

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    Snow Edge

    Juan Francisco Rodríguez, Colombia, 2021, 15’

    The thaw of the so-called eternal snow of Páramo, a neotropical alpine ecosystem in the high Andes, exposes a layer of meaning about the origins and survival of the landscape.

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    Meander

    Joke Liberge, Belgium, 2005, 15’

    On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters.

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    Before Then

    Mengzhu Xue, China, Germany, 2024, 30’

    Every form of communication involves deciphering codes. In Before Then, Mengzhu Xue attempts to confess a secret in the form of a letter in English, which she writes out phonetically in Chinese, and asks her grandmother to read out loud.

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    The End of Suffering (A Proposal)

    Jacqueline Lentzou, Greece, 2020, 14’

    Sofia is panicky again. The Universe decides to contact her—an other-worldly dialogue. Jacqueline Lentzou’s short film is a planet symphony for Mars, where people dream awake and fight for love.

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    Scum Mutation

    Ov, France, 2020, 10’

    In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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