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At Land
At Land (Maya Deren, 1944)

    At Land

    Maya Deren, USA, 1944, 15’

    Silently, a woman wakes on a beach as the tides go in reverse. In her dreams, she tries to locate a chess piece traveling from the beach to a party to a country road and then back. 

    In the dream-like narrative of At Land, a woman, played by filmmaker Maya Deren herself, is washed up on a beach and goes on a strange journey, encountering other versions of herself. Deren described the film as about the struggle to maintain one’s personal identity. Composer John Cage and poet and film critic Parker Tyler were involved in making the film and appear in it.

    Bio Maya Deren

    Maya Deren (1917-1961) was one of the most important American avant-garde experimental filmmakers of the 1940s and 1950s. Deren was also a choreographer, poet, and photographer. She was married to Alexander Hammid; together they made Meshes of the Afternoon (1943). In the years following the release of her most famous film, Deren reached the peak of her career, with films like At Land (1944) and Ritual in Transfigured Time (1946), and the manifesto “An Anagram of Ideas on Art, Form, and Film” . From the mid-1950s until her death, Deren returned to obscurity. Nevertheless, she remained the face of experimental cinema and served as a mentor to …
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    • This film was #28 in the “Greatest” Short Films of All Time 2025
      voted by José Emilio González, Najrin Islam, Laura Staab, Matías Piñeiro, Elspeth Vischer, Delphine Jeanneret, Daniella Shreir, Olivier Hadouchi
    experimental fiction avant-garde fantasy

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    Downside Up

    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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