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At Land
At Land (Maya Deren, 1944)

    At Land

    Maya Deren, USA, 1944, 15’

    Silently, a woman wakes on a beach as the tides go in reverse. In her dreams, she tries to locate a chess piece traveling from the beach to a party to a country road and then back. 

    In the dream-like narrative of At Land, a woman, played by filmmaker Maya Deren herself, is washed up on a beach and goes on a strange journey, encountering other versions of herself. Deren described the film as about the struggle to maintain one’s personal identity. Composer John Cage and poet and film critic Parker Tyler were involved in making the film and appear in it.

    Bio Maya Deren

    Maya Deren (1917-1961) was one of the most important American avant-garde experimental filmmakers of the 1940s and 1950s. Deren was also a choreographer, poet, and photographer. She was married to Alexander Hammid; together they made Meshes of the Afternoon (1943).

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    443
    • This film was #28 in the “Greatest” Short Films of All Time 2025
      voted by José Emilio González, Najrin Islam, Laura Staab, Matías Piñeiro, Elspeth Vischer, Delphine Jeanneret, Daniella Shreir, Olivier Hadouchi
    experimental fiction avant-garde fantasy

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    Un Chien Andalou

    Luis Buñuel, France, 1929, 21’

    Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    Language of the Entrails

    Luciana Decker Orozco, Bolivia, USA, 2025, 12’

    A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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    Expires in 27 days
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    Women I Love

    Barbara Hammer, USA, 1976, 23’

    A series of cameo portraits of Barbara Hammer’s friends and lovers intercut with a playful celebration of fruits and vegetables in nature. The culminating footage evokes a tantric painting of sustained sexuality.

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    Blow Up My Town

    Chantal Akerman, Belgium, 1968, 13’

    A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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    Yarokamena

    Andrés Jurado, Colombia, Portugal, 2022, 21’

    In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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    The Hymns of Muscovy

    Dimitri Venkov, Russia, 2018, 14’

    The Hymns of Muscovy is a trip to the eponymous planet, which is an upside-down space twin of the city of Moscow. Gliding along its surface, we look down at the sky and see historic architectural styles fly by—the exuberant Socialist Classicism, aka the Stalinist Empire, the laconic and brutalist Soviet Modernism, and the hodgepodge of their contemporary knock-offs and revivals.

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    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

    The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

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