Maya Deren (1917-1961) was one of the most important American avant-garde experimental filmmakers of the 1940s and 1950s. Deren was also a choreographer, poet, and photographer. She was married to Alexander Hammid; together they made Meshes of the Afternoon (1943).
In the years following the release of her most famous film, Deren reached the peak of her career, with films like At Land (1944) and Ritual in Transfigured Time (1946), and the manifesto “An Anagram of Ideas on Art, Form, and Film” . From the mid-1950s until her death, Deren returned to obscurity. Nevertheless, she remained the face of experimental cinema and served as a mentor to a younger generation, including Brakhage, Shirley Clarke, and Jonas Mekas.