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Flowers Blooming in Our Throats (Eva Giolo, 2020)
Flowers Blooming in Our Throats (Eva Giolo, 2020)

    Flowers Blooming in Our Throats

    Eva Giolo, Italy, Belgium, 2020, 9’

    Artist Eva Giolo films her friends in their own homes and asks them to perform a few simple actions: gestures that reflect the fragile balance of everyday life, and, at times, become more aggressive. A cinematic poem in response to the global pandemic of 2020.

    Bio Eva Giolo

    Eva Giolo is an artist working in film, video, and installation. Her work places particular focus on the female experience, employing experimental and documentary strategies to explore themes of intimacy, permanence, and memory, along with the analysis of language and semiotics. Her short film Flowers Blooming in Our Throats was nominated for the European Film Award. Giolo’s films, installations, and other projects have been widely exhibited at festivals, museums, and galleries internationally. She is also the co-founder of the distribution and production platform Elephy. Her films are distributed by elephy and Light Cone.

    Credits

    Script
    Eva Giolo
    Cast
    Anais Chabeur, Constance Neuenschwander , Eva Claus, Eva Giolo, Lola Heckers, Martha t’Hooft, Pascale Gerbaux, Sirah Foighel Brutmann, Veronika Vimpelova, Yuichiro Onuma
    Camera
    Eva Giolo
    Editor
    Eva Giolo
    Sound
    Simonluca Laitempergher
    Producer
    Leonardo Bigazzi
    Production
    Elephy, Fondazione In Between Art Film
    21
    experimental poetry 16mm

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    Blow Up My Town

    Chantal Akerman, Belgium, 1968, 13’

    A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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    10th of November | 09:05

    Els Opsomer, Belgium, Turkey, 2008, 14’

    Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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    À l’usage des vivants

    Pauline Fonsny, Belgium, 2019, 27’

    In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

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    Working Knowledge of Ritual

    Hannan Jones, Australia, 2023, 4’

    By interweaving esoteric texts and images, Working Knowledge of Ritual underscores the interconnectedness of spirituality and nature. The film muses on our energies alongside the natural world, inspired by the writings of Leonard Jones.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    The Room

    Chantal Akerman, Belgium, 1972, 11’

    Panning shots in a repeating full-circle movement show a room as a succession of still lives: a chair, some fruit on a table, a collection of solitary, waiting objects. There is the presence of a young woman: filmmaker Chantal Akerman herself, sitting on the bed eating an apple.

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    Magic, a portrait of Joris

    Chloë Delanghe, Belgium, 2018, 15’

    In Magic, a portrait of Joris, images sourced from different periods in time are glued together. Worn-out VHS footage filmed by the artist’s father is placed beside 8mm images she filmed herself. Both have the same subject: one boy, both a son and a brother. Connecting images of then and now, a new narrative of remembering opens up.

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    The Motherfucker’s Birthday

    Saif Alsaegh, Iraq, USA, 2024, 6’

    Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.

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