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  • Far from Beyrouth
Far from Beyrouth (Mon Dewulf, 2025)
Far from Beyrouth (Mon Dewulf, 2025)

    Far from Beyrouth

    Mon Dewulf, Belgium, 2025, 22’
    Film Fest Gent

    2025

    IDFA

    2025

    Vienna Shorts

    2025

    From his cozy apartment in Brussels, Mon Dewulf documents his connection with his Lebanese partner Karim—living a world away in Beirut. Dewulf closely follows developments in Lebanon’s capital through videos, voice memos, and text messages. Karim sends videos of devastated apartment buildings, describes Israeli airstrikes, and shares his fears and despair about the situation.

    In Far from Beyrouth, Dewulf crafts an intimate portrait of partners keeping close emotionally while living in different worlds. He offers Karim a listening ear, watches live broadcasts from locations in Beirut, and joins pro-Palestine protests to calm his anxieties a little.

    Caught between the everyday routines of Brussels and his constant concern for his partner, Dewulf struggles to find a balance as he awaits Karim’s return to Brussels. Even when the distance seems insurmountable, this modern, loving correspondence bears witness to the power of connection.

    IDFA
    Les enfants ont des oreilles (Kumail Gasiewski, 2025)
    Les enfants ont des oreilles (Kumail Gasiewski, 2025)
    verslag
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    Lichting KASK 2024-2025

    Evi Cats, Boet Meijers, Kathy Vanhout
    03.12.2025

    In het multidisciplinaire microklimaat van KASK School of Arts in Gent ontspruit elk jaar opnieuw een uiteenlopende groep filmmakers en audiovisuele kunstenaars. Dit is een selectie van de masterproeven waarmee de lichting 2024-2025 afzwaait.

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    Credits

    Cast
    Mon Dewulf
    Camera
    Mon Dewulf
    Film school
    KASK School of Arts
    513
    documentary politics queer

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    My Uncle Tudor

    Olga Lucovnicova, Belgium, Portugal, Hungary, Moldova, 2020, 20’

    After twenty years of silence, filmmaker Olga Lucovnicova returns to her great-grandparents’ home, where she endured traumatic experiences that left a lasting impression on her memory.

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    The Migrating Image

    Stefan Kruse Jørgensen, Denmark, 2018, 28’

    Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

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    Noonlight

    Kayt Schneider, Belgium, 1991, 10’

    Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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    Trajectory Drift

    Iván Castiñeiras Gallego, France, United Kingdom, 2018, 24’

    In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.

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    A Letter to Mohamed

    Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

    This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

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    Paradise

    Laura Vandewynckel, Belgium, 2014, 6’

    People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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    The White Elephant

    Shuruq Harb, Palestine, 2018, 12’

    Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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