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Kaalkapje (Marthe Peters, 2024)
Baldilocks (Marthe Peters, 2024)

    Baldilocks

    Kaalkapje
    Marthe Peters, Belgium, 2024, 25’
    Berlinale Shorts

    2024

    Courtisane

    2024

    Today, filmmaker Marthe Peters is hailed as a medical miracle at the hospital. She has been cured, but not without suffering physical and mental damage from the treatments. Through the lens of her father’s camcorder, she looks back on a period she can no longer remember. Twenty years after surviving childhood cancer, she searches for traces of illness between scars and desires.

    Bio Marthe Peters

    Dutch filmmaker Marthe Peters lives and works in Ghent since graduating from KASK School of Arts in 2023. Her film Baldilocks premiered at Berlinale Shorts and went on to screen at festivals including Courtisane, Karlovy Vary, Seminci Valladolid, and at the Barbican in London. Her work depicts her daily reality in an intimate way, focusing on the banal as something important and worthy, as individuals search for solace and care for one another.
    © Kaalkapje (Marthe Peters, 2023)
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    Waar verhalen nooit komen

    Marthe Peters over Kaalkapje

    Bo Alfaro Decreton
    21.02.2024
    interview

    Marthe Peters’ Kaalkapje gaat deze week in wereldpremière als deel van Berlinale Shorts, de officiële kortfilmcompetitie van de Berlinale. In een gesprek met Bo Alfaro Decreton vertelt ze over hoe haar afstudeerfilm aan KASK School of Arts tot stand kwam.

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    Kaalkapje (Marthe Peters, 2024)
    Kaalkapje (Marthe Peters, 2024)
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    Tedere pijn

    Marthe Peters’ Kaalkapje (2024)

    Michiel Philippaerts
    29.03.2024
    artikel

    Al wat de pas afgestudeerde filmstudent Marthe Peters nodig heeft om te reflecteren op de spanningen en tegenstrijdigheden tussen het verleden en het heden, zijn verloren video-opnames uit haar jeugd. Aangevuld met nieuwe, poëtische beelden (handen die tekenen, een kat aaien, of met kaarsenvet spelen) en een doordachte voice-over, verkent Peters de littekens van een vergeten tijd uit haar leven.

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    Credits

    Camera
    Leon Decock, Marthe Peters
    Editor
    Marthe Peters
    Sound
    Leon Decock, Marthe Peters, Michel Coquette
    Film school
    KASK School of Arts
    211
    documentary coming-of-age portrait

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    Herman@s (Les Adelphes)

    Hélène Alix Mourrier, France, 2021, 29’

    Mexico, October 2011. A mysterious dream gives birth to Cuco, a transgender latex pirate activist. This essayistic film follows their quest to create more recognition for the queer community.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    À Gis

    Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

    The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

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    Yarokamena

    Andrés Jurado, Colombia, Portugal, 2022, 21’

    In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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    Loveboard

    Felipe Casanova, Belgium, Switzerland, 2023, 17’

    A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

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    10th of November | 09:05

    Els Opsomer, Belgium, Turkey, 2008, 14’

    Every year on the 10th of November, at 09:05 in the morning, individuals across Turkey cease all activities. Cars pull over, and pedestrians stop and stand still, in remembrance of Mustafa Kemal Atatürk (founder and first president of the Republic of Turkey), who died on this day and time in 1938. Els Opsomer captures such a moment on film.

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