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Audience (Barbara Hammer, 1982)
Audience (Barbara Hammer, 1982)

    Audience

    Barbara Hammer, USA, 1982, 32’

    Barbara Hammer takes out her camera to film audiences at screenings of her films—some women-only, some mixed. She wanted everyone to speak for themselves. She wanted to show the diversity in a women’s audience: the sophistication, the thoughtfulness, the fun-loving spirit, the flirtations, the detailed, the subtle. She wanted her audience to make their own film.

    In a time of national borders and increasing geographic chauvinism, she found images of women transcending boundaries and cultures, while also acting as spokespeople for cultural difference.

    Bio Barbara Hammer

    Barbara Hammer (1939-2019) was an American feminist filmmaker, visual artist, and lesbian activist with a career spanning over fifty years—constructing revelations on gender and sexuality, and later illness and mortality. She produced over ninety films, ranging from experimental shorts to essays and full-length documentaries, as well as performances, installations, and photographs that illuminate the representation of lesbian lives. In her work, Hammer explodes traditional notions of female sexuality by showing it for what it is: complex, messy, human.

    525

    This film was part of Barbara Hammer: A Short Film Retrospective, an event during Film Fest Gent 2026, in collaboration with yanco and Art Cinema OFFoff

    documentary politics queer

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    0.2 Milligrams of Gold

    Diego Quinderé de Carvalho, Belgium, Hungary, Portugal, 2021, 24’

    Eight thousand five hundred kilometres lie between the Amazon and the Ardennes. In his home country of Brazil, filmmaker Diego looks at the inaccessible forest from the outside. Its Belgian counterpiece, however, is easier to explore.

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    Noonlight

    Kayt Schneider, Belgium, 1991, 10’

    Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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    My Uncle Tudor

    Olga Lucovnicova, Belgium, Portugal, Hungary, Moldova, 2020, 20’

    After twenty years of silence, filmmaker Olga Lucovnicova returns to her great-grandparents’ home, where she endured traumatic experiences that left a lasting impression on her memory.

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    elephantfish

    Meltse Van Coillie, Belgium, 2018, 27’

    A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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    In Curve Notes _ Stream

    Flavia Regaldo, Portugal, 2023, 7’

    Hand-painted watercolours explore bodies, desire, and the tension between both in this experimental animated film. Due to an explosion of colour and movement that escapes classical animation, an unusual sensorial force is achieved. Alternating colours, lines, and density, the drawings question pornography and normative sexuality.

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    Self-Portrait

    Jonas Mekas, USA, 1980, 20’

    In what one could call Jonas Mekas’ first video blog, the Lithuanian avant-garde filmmaker reflects on his life and the art of cinema and representation.

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    Trajectory Drift

    Iván Castiñeiras Gallego, France, United Kingdom, 2018, 24’

    In a container, sitting between crates of merchandise, two men talk about their exile. Their stories about the crossing of endless borders come together in a common dream: to reach England.

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