Skip to main content
yanco Home
Menu
  • Home
  • watch
  • magazine
  • calendar
  • index
  • Subscribe
Search Log in
  • nl
  • en
You are here
  • Home
  • Index
  • Audience
Audience (Barbara Hammer, 1982)
Audience (Barbara Hammer, 1982)

    part of
    Barbara Hammer: A Short Film Retrospective

    Audience

    Barbara Hammer, USA, 1982, 32’

    Barbara Hammer takes out her camera to film audiences at screenings of her films—some women-only, some mixed. She wanted everyone to speak for themselves. She wanted to show the diversity in a women’s audience: the sophistication, the thoughtfulness, the fun-loving spirit, the flirtations, the detailed, the subtle. She wanted her audience to make their own film.

    In a time of national borders and increasing geographic chauvinism, she found images of women transcending boundaries and cultures, while also acting as spokespeople for cultural difference.

    Bio Barbara Hammer

    Barbara Hammer (1939-2019) was an American feminist filmmaker, visual artist, and lesbian activist with a career spanning over fifty years—constructing revelations on gender and sexuality, and later illness and mortality. She produced over ninety films, ranging from experimental shorts to essays and full-length documentaries, as well as performances, installations, and photographs that illuminate the representation of lesbian lives. In her work, Hammer explodes traditional notions of female sexuality by showing it for what it is: complex, messy, human.

    Audience (Barbara Hammer, 1982)
    Audience (Barbara Hammer, 1982)
    essay
    Read more

    Dead, I Won’t Be Forgotten

    Barbara Hammer’s Legacy

    Carmel Curtis
    05.10.2026

    The five works in Film Fest Gent’s Barbara Hammer: A Short Film Retrospective, presented in collaboration with yanco and Art Cinema OFFoff, span thirty-five years and together they demonstrate a pattern in Barbara’s work: no disguise. What she felt in her own body and what she showed on screen were often the same sensation, not translated but transmitted. In that transparency, her personal vulnerability can expand outward into something universal that extends beyond the individual body and beyond the screen.

    Read more
    525
    documentary politics queer

    Watch more

    Read more

    The White Elephant

    Shuruq Harb, Palestine, 2018, 12’

    Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

    Read more
    Read more

    Devotion

    Cynthia Madansky, Turkey, 2003, 34’

    A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

    Read more
    Read more

    Yarokamena

    Andrés Jurado, Colombia, Portugal, 2022, 21’

    In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

    Read more
    Read more

    The Migrating Image

    Stefan Kruse Jørgensen, Denmark, 2018, 28’

    Following a fictional group of refugees across Europe, the film questions the overproduction of images surrounding real-life tragedies and deaths.

    Read more
    Read more

    Loveboard

    Felipe Casanova, Belgium, Switzerland, 2023, 17’

    A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

    Read more
    Read more

    underneath it flickers

    lau persijn, Belgium, 2024, 19’

    How to listen to a space considered empty? underneath it flickers suggests different perspectives on La Friche Josaphat, a verdant fallow land in Brussels threatened by real estate development.

    Read more
    Read more

    what else grows on the palm of your hand?

    Dhiaa Biya, Morocco, Belgium, 2023, 16’

    The routines of two women fuse together over time. One is busy with her bread, the other with her memories. Their similar gestures, repeated again and again, slowly unfold the special bond that unites them.

    Read more
    Read more

    A Letter to Mohamed

    Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

    This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

    Read more
    Log in or register to start watching.

    Subscribe for €30 and get one-year access to the 70+ films in our streaming library. This supports not only our magazine but also the filmmakers we represent. 

    subscribe

    yanco is a magazine and streaming library for short-form moving image

    kortfilm.be vzw
    Boondaalse Steenweg 249
    1050 Elsene
    BE 0478 441 315
    info@yanco.be

    with the support of the Flanders Audiovisual Fund (VAF) of the Flemish Government

    VAF
    • about
    • colophon
    • privacy policy
    Facebook Instagram LinkedIn YouTube Letterboxd
    design by de Ronners
    website by eps en kaas