artifacts of you, artifacts of me.

A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

The militaristic environment of the dystopian multiplayer shooter game Tom Clancy’s The Division is reused for a pacifist city tour. During a walk through the post-apocalyptic city, issues such as architectural history and urbanism are discussed.

Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

An audiovisual meditation on the fin de siècle in Thailand.

Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.