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a constantly growing and annotated catalogue of all the short films featured in our releases, publications, or screenings

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230

Gestes du repas

Luc de Heusch, Belgium, 1958, 23’

This satirical ethnographic film shows eating Belgians in diverse contexts. Dinner scenes at weddings, funerals, Christmas, and New Year’s Eve portray a country: loneliness and community alternate, just as wealth and poverty.

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Du côté de la côte (Agnès Varda, 1958)
Du côté de la côte (Agnès Varda, 1958)
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360

Along the Coast

Agnès Varda, France, 1958, 25’

In this saturated film, Varda captures 1950s tourism on the Côte d'Azur: clear skies, burning sun, and cheeky parasols. A touristic tour on the French Riviera’s exoticism, full of captivating imagery, bathed in an atmosphere of nostalgia.

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Free Radicals
Free Radicals (Len Lye, 1958)
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399

Free Radicals

Len Lye, New Zealand, USA, 1958, 5’

In what is widely considered his greatest film, Len Lye reduces cinema to its most basic elements by scratching onto black and white film, using a variety of means ranging from dental tools to an ancient Native American arrowhead. The title references modern physics: ‘free radicals’ are particles of energy.

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Anticipation of the Night
Anticipation of the Night (Stan Brakhage, 1958)
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461

Anticipation of the Night

Stan Brakhage, USA, 1958, 42’

Everything in Anticipation of the Night is shown in a multitude of aspects, at varying speeds, with crucial changes in lighting and graininess. This film bids farewell to the protagonist’s last dying thought and to all the primitive “point of view” tricks of narrative cinema.

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Les Mistons (François Truffaut, 1958)
Les Mistons (François Truffaut, 1958)
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523

Les Mistons

François Truffaut, France, 1958, 18’

In François Truffaut’s debut film, the beautiful Bernadette cycles over the bridges and through the scrublands of Nîmes. Wherever she goes, five mistons (local slang for brats) are hot on her heels. They see her as the embodiment of their budding, prepubescent desires.

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