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Free Radicals
Free Radicals (Len Lye, 1958)

    Free Radicals

    Len Lye, New Zealand, USA, 1958, 5’

    In what is widely considered his greatest film, Len Lye reduces cinema to its most basic elements by scratching designs onto black and white film, using a variety of means ranging from dental tools to an ancient Native American arrowhead. He then synchronised this primitive kinetic dance of white lines and angles to a field tape of the Bagirmi tribe. The title references modern physics: ‘free radicals’ are particles of energy.

    Free Radicals won the second prize at the International Experimental Film Competition at the 1958 World’s Fair in Brussels, which was judged by Man Ray, Alexander Alexeiff, and Norman McLaren. Stan Brakhage once described the film as “an almost unbelievably immense masterpiece, a brief epic.”

    Bio Len Lye

    Len Lye (New Zealand, 1901) was an internationally renowned filmmaker, sculptor, painter, photographer, and poet. In the course of his career, Lye was part of many artist groups, including the 7&5 Society of the 1920s, the surrealist movement of the 1930s, the New York School of the 1940s and 50s, and the avant-garde kinetic art movement during the 1950s and 60s. Free Radicals is widely considered one of his best films. 
    399
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Niels Putman, Anouk De Clercq, Blake Williams, Bart Versteirt
    animation experimental avant-garde

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    Downside Up

    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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    The White Elephant

    Shuruq Harb, Palestine, 2018, 12’

    Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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    Sirens

    Raoul Servais, Belgium, 1968, 9’

    A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?

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    Scum Mutation

    Ov, France, 2020, 10’

    In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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    In Curve Notes _ Stream

    Flavia Regaldo, Portugal, 2023, 7’

    Hand-painted watercolours explore bodies, desire, and the tension between both in this experimental animated film. Due to an explosion of colour and movement that escapes classical animation, an unusual sensorial force is achieved. Alternating colours, lines, and density, the drawings question pornography and normative sexuality.

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    Snow Edge

    Juan Francisco Rodríguez, Colombia, 2021, 15’

    The thaw of the so-called eternal snow of Páramo, a neotropical alpine ecosystem in the high Andes, exposes a layer of meaning about the origins and survival of the landscape.

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    Impossible Figures and Other Stories II

    Marta Pajek, Poland, 2016, 15’

    A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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    Back and Forth

    Lisa Foster, Belgium, 2018, 4’

    We all have a different rhythm. This film is a dance about individual rhythms that go together, seem to clash, or just stay separate.

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