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Free Radicals
Free Radicals (Len Lye, 1958)

    Free Radicals

    Len Lye, New Zealand, USA, 1958, 5’

    In what is widely considered his greatest film, Len Lye reduces cinema to its most basic elements by scratching designs onto black and white film, using a variety of means ranging from dental tools to an ancient Native American arrowhead. He then synchronised this primitive kinetic dance of white lines and angles to a field tape of the Bagirmi tribe. The title references modern physics: ‘free radicals’ are particles of energy.

    Free Radicals won the second prize at the International Experimental Film Competition at the 1958 World’s Fair in Brussels, which was judged by Man Ray, Alexander Alexeiff, and Norman McLaren. Stan Brakhage once described the film as “an almost unbelievably immense masterpiece, a brief epic.”

    Bio Len Lye

    Len Lye (New Zealand, 1901) was an internationally renowned filmmaker, sculptor, painter, photographer, and poet. In the course of his career, Lye was part of many artist groups, including the 7&5 Society of the 1920s, the surrealist movement of the 1930s, the New York School of the 1940s and 50s, and the avant-garde kinetic art movement during the 1950s and 60s. Free Radicals is widely considered one of his best films. 
    399
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Niels Putman, Anouk De Clercq, Blake Williams, Bart Versteirt
    animation experimental avant-garde

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    Cyclepaths

    Anton Cla, Belgium, 2023, 12’

    On the outskirts of the city, the new modern buildings are silent, and the motorway bridge drones. Birds are circling in the sky, and a young man, concealed by his hoodie, is riding his e-scooter along a park path. The only irritating element is the rifle over his shoulder. Cyclepaths conveys a mood of high alert, even though the disaster has, in fact, already happened.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    Downside Up

    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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