In his contribution to the omnibus film RO.GO.PA.G (1963), Pier Paolo Pasolini depicts Orson Welles making a film about the crucifixion of Jesus, while he, the cast, and the crew behave quite unholy. La Ricotta is a short, apocalyptic tirade against the conventions of filmmaking and the unchristian coldness of contemporary Christianity.
Artist Eva Giolo films her friends in their own homes and asks them to perform a few simple actions: gestures that reflect the fragile balance of everyday life, and, at times, become more aggressive. A cinematic poem in response to the global pandemic of 2020.
Two small wooden boats sail across the Strait of Messina. Beneath the water’s surface, swordfish swim towards them. They are right on time for the breeding season but unaware of the throwing spear that awaits them. Women wash clothes on the banks and sing traditional work songs.
