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The War Game
The War Game (Peter Watkins, 1966)

    The War Game

    Peter Watkins, United Kingdom, 1966, 48’

    The War Game presents a fictional scenario concerning the consequences of an explosion in Kent following the escalation of an East-West conflict. Here, Watkins continues his experiments in combining fiction and documentary. Through graphs, quotations, and vox pop-style face-to-face interviews with ordinary people, he presents his own research in scientific studies, civil defence documents, and reports on the destruction of Hiroshima, Nagasaki, Dresden, Hamburg, and other cities during the Second World War.

    The BBC originally backed the production of the film but later withdrew its support, stating that “the effect of the film is considered too horrific for television broadcast”. The film premiered in cinemas in 1966 and was very well received, but remained unseen on British television until 1985.

    The War Game was internationally acclaimed and won several awards, including an Academy Award, remarkably in the Best Documentary category. The film had a significant impact on the growing campaign for nuclear disarmament.

    Bio Peter Watkins

    English filmmaker and theorist Peter Watkins (1935-2025) was a pioneer of the docudrama and the mockumentary genres, typically with heavy political content. His films present pacifist and radical ideas in a nontraditional style. He mainly focused on mass media and viewers’ relations/participation in movies or television documentaries. In 2004, he also wrote Media Crisis, an engaged essay on the lack of debate about how new forms of audiovisual media are constructed.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Kevin B Lee, Flavia Mazzarino, Tomáš Hudák, Wim Vanacker
    documentary fiction history

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    Because We Are Visual

    Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

    By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

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    Oh Willy...

    Emma De Swaef, Marc James Roels, Belgium, 2011, 17’

    A gentle, middle-aged man returns to the nudist colony he grew up in to visit his elderly mother. Her sudden death leaves Willy in a state of sadness. He soon finds himself lost in the midst of a savage wilderness, trying to find comfort.

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    Carnations

    Martijn Van de Wiele, Belgium, 2021, 16’

    An artificial summer rules the greenhouse. Workers tend to carnations. In a multitude of splendid colours, they grow towards the sun until they’re ready to fulfill their cut-flower destiny. Carnations is an audiovisual meditation on movements within a carnation nursery close to filmmaker Martijn van de Wiele’s home.

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    This Day Won’t Last

    Mouaad el Salem, Belgium, Tunisia, 2020, 25’

    In this urgent diary film about longing for freedom and community, the filmmaker reflects on the individual yet collective experience of growing up queer in Tunisia today.

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    All We Ever Wanted Was Everything

    Enzo Smits, Belgium, 2014, 19’

    A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

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    elephantfish

    Meltse Van Coillie, Belgium, 2018, 27’

    A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    Water and Salt

    Luisa Mello, Belgium, Brazil, 2019, 10’

    A journey through the consciousness of a woman whose country is under threat from a fascist government.

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