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The War Game
The War Game (Peter Watkins, 1966)

    The War Game

    Peter Watkins, United Kingdom, 1966, 48’

    The War Game presents a fictional scenario concerning the consequences of an explosion in Kent following the escalation of an East-West conflict. Here, Watkins continues his experiments in combining fiction and documentary. Through graphs, quotations, and vox pop-style face-to-face interviews with ordinary people, he presents his own research in scientific studies, civil defence documents, and reports on the destruction of Hiroshima, Nagasaki, Dresden, Hamburg, and other cities during the Second World War.

    The BBC originally backed the production of the film but later withdrew its support, stating that “the effect of the film is considered too horrific for television broadcast”. The film premiered in cinemas in 1966 and was very well received, but remained unseen on British television until 1985.

    The War Game was internationally acclaimed and won several awards, including an Academy Award, remarkably in the Best Documentary category. The film had a significant impact on the growing campaign for nuclear disarmament.

    Bio Peter Watkins

    English filmmaker and theorist Peter Watkins (1935-2025) was a pioneer of the docudrama and the mockumentary genres, typically with heavy political content. His films present pacifist and radical ideas in a nontraditional style. He mainly focused on mass media and viewers’ relations/participation in movies or television documentaries. In 2004, he also wrote Media Crisis, an engaged essay on the lack of debate about how new forms of audiovisual media are constructed.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Kevin B Lee, Flavia Mazzarino, Tomáš Hudák, Wim Vanacker
    documentary fiction history

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    Yarokamena

    Andrés Jurado, Colombia, Portugal, 2022, 21’

    In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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    D’un château l’autre

    Emmanuel Marre, Belgium, 2018, 40’

    Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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    This Day Won’t Last

    Mouaad el Salem, Belgium, Tunisia, 2020, 25’

    In this urgent diary film about longing for freedom and community, the filmmaker reflects on the individual yet collective experience of growing up queer in Tunisia today.

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    Sirens

    Raoul Servais, Belgium, 1968, 9’

    A lonesome angler becomes witness to an eccentric idyll between a cabin boy and a mermaid. Dream or reality?

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    À l’usage des vivants

    Pauline Fonsny, Belgium, 2019, 27’

    In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

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    The Motherfucker’s Birthday

    Saif Alsaegh, Iraq, USA, 2024, 6’

    Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.

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    Meander

    Joke Liberge, Belgium, 2005, 15’

    On a hot summer day, five teenagers go to a river to cool off. They swim, they sleep, they eat snacks and ice cream. As music and dialogue are missing, everyday sounds attract attention: bicycles riding on gravel, feet gliding through water, gasps and splutters.

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    The White Elephant

    Shuruq Harb, Palestine, 2018, 12’

    Using images shared on the Internet by Israelis during the Gulf War, the First Intifada, and trance music gatherings, Shuruq Harb paints the portrait of a Palestinian teenager in the 1990s. In the midst of Israeli pop culture and the political climate of the Oslo Accords, she comes to grips with her anxiety.

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