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The War Game
The War Game (Peter Watkins, 1966)

    The War Game

    Peter Watkins, United Kingdom, 1966, 48’

    The War Game presents a fictional scenario concerning the consequences of an explosion in Kent following the escalation of an East-West conflict. Here, Watkins continues his experiments in combining fiction and documentary. Through graphs, quotations, and vox pop-style face-to-face interviews with ordinary people, he presents his own research in scientific studies, civil defence documents, and reports on the destruction of Hiroshima, Nagasaki, Dresden, Hamburg, and other cities during the Second World War.

    The BBC originally backed the production of the film but later withdrew its support, stating that “the effect of the film is considered too horrific for television broadcast”. The film premiered in cinemas in 1966 and was very well received, but remained unseen on British television until 1985.

    The War Game was internationally acclaimed and won several awards, including an Academy Award, remarkably in the Best Documentary category. The film had a significant impact on the growing campaign for nuclear disarmament.

    Bio Peter Watkins

    English filmmaker and theorist Peter Watkins (1935-2025) was a pioneer of the docudrama and the mockumentary genres, typically with heavy political content. His films present pacifist and radical ideas in a nontraditional style. He mainly focused on mass media and viewers’ relations/participation in movies or television documentaries. In 2004, he also wrote Media Crisis, an engaged essay on the lack of debate about how new forms of audiovisual media are constructed.
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    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Kevin B Lee, Flavia Mazzarino, Tomáš Hudák, Wim Vanacker
    documentary fiction history

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    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    On Its Way Down

    Sebastian Schaevers, Belgium, 2022, 22’

    Zinal, a small town in the Swiss Alps, looks straight up toward the melting glaciers of the Couronne Impériale. The townspeople struggle with nihilistic indifference. When the threat is so immediate, and their powerlessness so great, can their response be anything other than cynicism? Then a paraglider falls mysteriously from the sky, and Zinal starts to change.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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