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Silent Conversations (Eva Giolo, 2023)
Silent Conversations (Eva Giolo, 2023)

    Silent Conversations

    Eva Giolo, Belgium, 2023, 7’

    Eva Giolo silently and patiently portrays the same action over and over again. Her own body and those of her loved ones merge anonymously in a series of embraces, captured on blue-gray, faded 16mm film. Gazes are buried in necks and fingers intertwine or caress the contours of the other. Hands press softly against backs, and only the scratches on the film reel, dancing in front of the sensor, provide any movement. Relationships remain unnamed, but no one is letting go.

    The Brussels-Italian artist produced her portrait series through her own production platform, elephy, and in collaboration with the Friedl Kubelka School for Independent Films in Vienna. Giolo emphasises the emotional charge that something as simple as a hug can hold. Silence is golden, also in her film.

    Flo Vanhorebeek

    Bio Eva Giolo

    Eva Giolo is an artist working in film, video, and installation. Her work places particular focus on the female experience, employing experimental and documentary strategies to explore themes of intimacy, permanence, and memory, along with the analysis of language and semiotics. Her short film Flowers Blooming in Our Throats was nominated for the European Film Award. Giolo’s films, installations, and other projects have been widely exhibited at festivals, museums, and galleries internationally. She is also the co-founder of the distribution and production platform Elephy. Her films are distributed by elephy and Light Cone.

    390

    This film was part of yanco’s October 2025 Calendar

    experimental poetry

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    Un Chien Andalou

    Luis Buñuel, France, 1929, 21’

    Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

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    Downside Up

    Tony Hill, United Kingdom, 1984, 18’

    With a single camera movement, this film explores humankind’s relationship to the ground. The viewpoint continuously changes. Places, objects, people, and events come in and out of focus. These observations gradually speed up and reveal a double-sided ground, flipping like a tossed coin, which then slows again to oscillate around the Earth’s edge.

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    The Hymns of Muscovy

    Dimitri Venkov, Russia, 2018, 14’

    The Hymns of Muscovy is a trip to the eponymous planet, which is an upside-down space twin of the city of Moscow. Gliding along its surface, we look down at the sky and see historic architectural styles fly by—the exuberant Socialist Classicism, aka the Stalinist Empire, the laconic and brutalist Soviet Modernism, and the hodgepodge of their contemporary knock-offs and revivals.

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    Atopia

    Olivier De Vos, Belgium, 2021, 18’

    An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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    Scum Mutation

    Ov, France, 2020, 10’

    In this cyberpunk animation, four creatures wobble like marionettes in a black void. An alien power tries to subdue them; police voices strike as if they were truncheons, but these vulnerable bodies start to fight back.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    Because We Are Visual

    Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

    By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

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    Blow Up My Town

    Chantal Akerman, Belgium, 1968, 13’

    A young woman, played by Chantal Akerman herself, enters her flat in Brussels and begins a household routine that gradually degenerates. Parodying the everyday, she mops the floor, polishes her shoes, and sticks tape over the cracks in the door, thereby giving domestic life an explosive twist.

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