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Silent Conversations (Eva Giolo, 2023)
Silent Conversations (Eva Giolo, 2023)

    Silent Conversations

    Eva Giolo, Belgium, 2023, 7’

    Eva Giolo silently and patiently portrays the same action over and over again. Her own body and those of her loved ones merge anonymously in a series of embraces, captured on blue-gray, faded 16mm film. Gazes are buried in necks and fingers intertwine or caress the contours of the other. Hands press softly against backs, and only the scratches on the film reel, dancing in front of the sensor, provide any movement. Relationships remain unnamed, but no one is letting go.

    The Brussels-Italian artist produced her portrait series through her own production platform, elephy, and in collaboration with the Friedl Kubelka School for Independent Films in Vienna. Giolo emphasises the emotional charge that something as simple as a hug can hold. Silence is golden, also in her film.

    Flo Vanhorebeek

    Bio Eva Giolo

    Eva Giolo is an artist working in film, video, and installation. Her work places particular focus on the female experience, employing experimental and documentary strategies to explore themes of intimacy, permanence, and memory, along with the analysis of language and semiotics. Her short film Flowers Blooming in Our Throats was nominated for the European Film Award. Giolo’s films, installations, and other projects have been widely exhibited at festivals, museums, and galleries internationally. She is also the co-founder of the distribution and production platform Elephy. Her films are distributed by elephy and Light Cone.
    390

    This film was part of yanco’s October 2025 Calendar

    experimental poetry

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    Working Knowledge of Ritual

    Hannan Jones, Australia, 2023, 4’

    By interweaving esoteric texts and images, Working Knowledge of Ritual underscores the interconnectedness of spirituality and nature. The film muses on our energies alongside the natural world, inspired by the writings of Leonard Jones.

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    Noonlight

    Kayt Schneider, Belgium, 1991, 10’

    Passing through the Noon Market in Brussels, filmmaker Kayt Schneider captures the peaceful, poetic coexistence of people and cultures.

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    Old Child

    Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

    Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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    The Hymns of Muscovy

    Dimitri Venkov, Russia, 2018, 14’

    The Hymns of Muscovy is a trip to the eponymous planet, which is an upside-down space twin of the city of Moscow. Gliding along its surface, we look down at the sky and see historic architectural styles fly by—the exuberant Socialist Classicism, aka the Stalinist Empire, the laconic and brutalist Soviet Modernism, and the hodgepodge of their contemporary knock-offs and revivals.

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    Because We Are Visual

    Gerard-Jan Claes, Olivia Rochette, Belgium, 2010, 47’

    By means of visual material gathered from online sources, filmmakers Olivia Rochette and Gerard-Jan Claes create a unique poetic realm in which thoughts, fears, desires, and worries are shared via webcam, and merge together.

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    The Age of Anxiety

    Taiki Sakpisit, Thailand, 2013, 14’

    An audiovisual meditation on the fin de siècle in Thailand.

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    The Motherfucker’s Birthday

    Saif Alsaegh, Iraq, USA, 2024, 6’

    Through dancing, The Motherfucker’s Birthday shows the evil of the dictator and the horror people endure under powerful political leaders. The film presents dancing, a universal and uniquely human activity often representing joy, with eerie footage of Saddam and his sons’ torture tools while they dance.

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