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National Liberation Football (Amina Menia, 2020)
National Liberation Football (Amina Menia, 2020)

    National Liberation Football

    Foot de Libération Nationale
    Amina Menia, Algeria, France, 2020, 20’

    In 2009, the Algerian football team beat Egypt, securing their place in the 2010 World Cup. Algerian artist Amina Menia remembers the celebrations as surreal, given the political tensions in both countries, and how they reminded her of the festivities that followed Algeria’s independence in 1962.

    Conversation Nord-Sud : Daney/Sanbar (Simone Bitton & Catherine Poitevin, 1991)
    Conversation Nord-Sud : Daney/Sanbar (Simone Bitton & Catherine Poitevin, 1991)
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    Unbridged Distances

    “une place vide dans un paysage”

    Öykü Sofuoğlu
    19.10.2026

    Curated by Inge Coolsaet for argos, the programme “une place vide dans un paysage” presents archival imagery as a gateway between collective memory and personal experiences. In both Conversation nord-sud, Daney / Sanbar (1991) and National Liberation Football (2020), conversation acts as a mnemonic catalyst. Despite their mutual resonance, both works are laden with absences, gaps and unresolved tensions, particularly in the context of countries whose national histories are scarred by colonial oppression, forced displacement and exile.

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    543
    video installation documentary politics history

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    Before Then

    Mengzhu Xue, China, Germany, 2024, 30’

    Every form of communication involves deciphering codes. In Before Then, Mengzhu Xue attempts to confess a secret in the form of a letter in English, which she writes out phonetically in Chinese, and asks her grandmother to read out loud.

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    I Don’t Feel At Home Anywhere Anymore

    Viv Li, Belgium, China, 2020, 16’

    A wistful but witty account of a trip to Beijing by filmmaker Viv Li, a Chinese art student who has been living abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become by her life abroad.

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    Empty House

    Gina Kim, South Korea, USA, 1999, 24’

    This video diary depicts a young woman’s flat, the fears and fantasies about her body plainly revealed as she wakes up with a bloated face, full of self-loathing after a night of compulsive over-eating.

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    Devotion

    Cynthia Madansky, Turkey, 2003, 34’

    A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

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    Expires in 12 days
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    Women I Love

    Barbara Hammer, USA, 1976, 23’

    A series of cameo portraits of Barbara Hammer’s friends and lovers intercut with a playful celebration of fruits and vegetables in nature. The culminating footage evokes a tantric painting of sustained sexuality.

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    Mars, Oman

    Vanessa del Campo, Belgium, 2019, 20’

    Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

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    This Day Won’t Last

    Mouaad el Salem, Belgium, Tunisia, 2020, 25’

    In this urgent diary film about longing for freedom and community, the filmmaker reflects on the individual yet collective experience of growing up queer in Tunisia today.

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    Loveboard

    Felipe Casanova, Belgium, Switzerland, 2023, 17’

    A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

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