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Aqueronte
Aqueronte (Manuel Muñoz Rivas, 2023)

    Aqueronte

    Manuel Muñoz Rivas, Spain, 2023, 26’

    In Greek mythology, Acheron is the name given to one of the rivers in the Underworld. Except for ancient heroes and goddesses, no living creature has ever crossed it. With this myth in mind, Manuel Muñoz Rivas turns the daily passage of a ferry on a Spanish river into a ritual crossing of sacred beauty, as the passengers’ souls wander through suspended narrations of everyday life. Conversations, faces, and laughter forge an atmosphere with an enveloping visual style. 

    Aqueronte is a unique gem that splits open the idea of the documentary to create a lively performance where different ideas of passages find common ground. 

    Rebecca De Pas, Viennale

    Bio Manuel Muñoz Rivas

    Filmmaker, screenwriter, and editor Manuel Muñoz Rivas (1978, Spain) studied at the International School of Film and Television in San Antonio de los Baños in Cuba. He has also lived in England, Chile, and Portugal, but nowadays, Spain is his home base once again. His work explores a familiar geographic area to him: Andalusia. He pays close attention to the aesthetics and poetics of the landscape and the photogenic value of the human face, as part of a hybrid approach that transcends the conventions of fiction and documentary.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    421
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Carlos Pereira, Flavio Armone, Naomi Pacifique, Jan Bujnowski
    documentary fiction fantasy

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    Trains de plaisir

    Henri Storck, Belgium, 1930, 8’

    The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

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    she asked me where i was from

    Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

    Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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    Un Chien Andalou

    Luis Buñuel, France, 1929, 21’

    Spanish surrealist Luis Buñuel wrote his first feat together with Salvador Dalí, based on their dreams. Don’t get stuck on the plot. Buñuel deliberately omits chronology and opts for Freudian dream logic, in which scenes do not necessarily follow one another logically.

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    Language of the Entrails

    Luciana Decker Orozco, Bolivia, USA, 2025, 12’

    A journey to the underworld begins within our own entrails. This film explores the intimate rhythm of digestion only to next investigate the becoming of geological eras, inspired by Gamaliel Churata’s El Pez de Oro, in which he states, “we all carry the dead alive; that the dead live.”

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    Swollen Stigma

    Sarah Pucill, United Kingdom, 1998, 21’

    Swollen Stigma is a visual, surrealistic narrative about a woman travelling both literally and psychically through several rooms. Memories, or fantasies, of another woman, fill her imagination. The film proposes lesbian imagery, and its shifting points of view jump between the protagonist, fantasy spaces, and her lover, making an internal world leak into what is external.

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    elephantfish

    Meltse Van Coillie, Belgium, 2018, 27’

    A ship drifts in the middle of an endless sea. Aboard is a crew of five. They all cope with boredom — some by trying to overpower it; others by escaping into a parallel world guided by dreams.

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    Atopia

    Olivier De Vos, Belgium, 2021, 18’

    An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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    Yarokamena

    Andrés Jurado, Colombia, Portugal, 2022, 21’

    In 20th-century Colombia, resistance fighter Yarokamena, a member of the indigenous Uitoto tribe, called for rebellion against violent exploitation of the rubber mining industry in the Amazone and invoked the spiritual powers of war.

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