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Aqueronte
Aqueronte (Manuel Muñoz Rivas, 2023)

    Aqueronte

    Manuel Muñoz Rivas, Spain, 2023, 26’

    In Greek mythology, Acheron is the name given to one of the rivers in the Underworld. Except for ancient heroes and goddesses, no living creature has ever crossed it. With this myth in mind, Manuel Muñoz Rivas turns the daily passage of a ferry on a Spanish river into a ritual crossing of sacred beauty, as the passengers’ souls wander through suspended narrations of everyday life. Conversations, faces, and laughter forge an atmosphere with an enveloping visual style. 

    Aqueronte is a unique gem that splits open the idea of the documentary to create a lively performance where different ideas of passages find common ground. 

    Rebecca De Pas, Viennale

    Bio Manuel Muñoz Rivas

    Filmmaker, screenwriter, and editor Manuel Muñoz Rivas (1978, Spain) studied at the International School of Film and Television in San Antonio de los Baños in Cuba. He has also lived in England, Chile, and Portugal, but nowadays, Spain is his home base once again. His work explores a familiar geographic area to him: Andalusia. He pays close attention to the aesthetics and poetics of the landscape and the photogenic value of the human face, as part of a hybrid approach that transcends the conventions of fiction and documentary.

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    “Greatest” Short Films of All Time 2025

    02.02.2026

    As a collective love letter to the art of short-form moving image, yanco and Kurzfilm Festival Hamburg, together with Talking Shorts, invited filmmakers, curators, critics, and scholars worldwide to participate in a first-ever poll of its kind. Invitees were asked to nominate ten audiovisual works under sixty minutes that they personally consider the “greatest” of all time. Through this non-academic approach to canon-building, this has led to an inspiring list of 105 titles.

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    421
    • This film was #78 in the “Greatest” Short Films of All Time 2025
      voted by Carlos Pereira, Flavio Armone, Naomi Pacifique, Jan Bujnowski
    documentary fiction fantasy

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    All We Ever Wanted Was Everything

    Enzo Smits, Belgium, 2014, 19’

    A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

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    Loveboard

    Felipe Casanova, Belgium, Switzerland, 2023, 17’

    A broken phone and the digital memory of a broken queer relationship. Through the careful manipulation of discarnate metal components and the filmmaker’s attentive look at an intimate archive, a fading first love surfaces. Loveboard is a playful reflection on what remains.

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    Impossible Figures and Other Stories II

    Marta Pajek, Poland, 2016, 15’

    A woman trips and falls while rushing around the house. She gets up only to discover that her home has unusual features—it is built from paradoxes, filled with illusions, and covered with patterns.

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    My Uncle Tudor

    Olga Lucovnicova, Belgium, Portugal, Hungary, Moldova, 2020, 20’

    After twenty years of silence, filmmaker Olga Lucovnicova returns to her great-grandparents’ home, where she endured traumatic experiences that left a lasting impression on her memory.

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    A Letter to Mohamed

    Christine Moderbacher, Belgium, Tunisia, Austria, 2013, 35’

    This is a cinematic letter to the title character, who left Tunisia and now lives in Belgium. Shot in the first year after the Tunisian revolution, this is a poetic journey through a troubled landscape. Between order and chaos, the film reveals a land of disillusionment but also of humour and hope.

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    Devotion

    Cynthia Madansky, Turkey, 2003, 34’

    A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

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    Love Goes Through The Stomach

    NEOZOON, Germany, 2017, 15’

    Dedicated to nutrition and the human attitude towards “production animals”, this YouTube-found footage collage provides disturbing insights into the behaviour of a Western affluent society towards animal products.

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    Houses With Small Windows

    Bülent Öztürk, Belgium, 2013, 15’

    Dilan pays with her life for her forbidden love for a young man in a neighbouring village—a powerful poetic portrait of an honour killing in the rural Kurdish southeast of Turkey.

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