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Sasha Prokopenko
Sasha Prokopenko nam deel aan de poll “Greatest” Short Films of All Time 2025, een unieke publieksbevraging als collectieve liefdesbrief aan de kunst van de korte film. yanco en Kurzfilm Festival Hamburg, in samenwerking met Talking Shorts, nodigden filmmakers, curatoren, distributeurs, critici en academici wereldwijd uit om tien audiovisuele werken van minder dan zestig minuten te nomineren die zij persoonlijk beschouwen als de “beste” aller tijden. Dit was de inzending van Sasha Prokopenko:
| Movie | Original Title | Director | Country | Year | Duration | |
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| The Black Tower | John Smith | Verenigd Koninkrijk | 1987 | 24’ | ||
The most hilariously haunting film… I think about it alarmingly often. |
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| Dyketactics | Barbara Hammer | Verenigde Staten | 1974 | 4’ | ||
Heavenly raw, radically sensual and unapologetically disruptive. I couldn't imagine this list without Barbara and her input in shaping (or rather defining) lesbian & queer aesthetics and cinematic language. |
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| A Letter to America Лист до Америки | Kira Muratova | Oekraïne | 1999 | 20’ | ||
It is somehow touching that I'm filling in this questionnaire on November 5, the day Muratova would have turned 91. A Letter to America captures the eve of a new century, a new chapter in Ukrainian history and the people who were totally unprepared for that. |
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| Du côté de la côte Along the Coast | Agnès Varda | Frankrijk | 1958 | 25’ | ||
I just love Agnes (and who doesn't?), her sharp eye, witty brain and big loving heart. |
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| Kyiv Cake Київський торт | Mykyta Lyskov | Estland, Oekraïne | 2025 | 22’ | ||
It might be too soon to include this film in the best of the best list, but let's call it wishful thinking. To me, Mykyta's works have already become a contemporary canon of Ukrainian animation. In this film, not only does he bring his talent, local memes and matured, distinctive style, he manages to throw us headfirst into the chilling, surreal Ukrainian reality and what our lives have become since the beginning of the russian war in 2014. |
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| Stay Awake, Be Ready Hãy tỉnh thức và sẵn sàng | Phạm Thiên Ân | Zuid-Korea, Verenigde Staten, Vietnam | 2019 | 14’ | ||
I remember watching it for the first time and being utterly enchanted by the incredibly orchestrated nocturnal chaos unfolding on the big screen. |
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| Love | Réka Bucsi | Hongarije | 2016 | 15’ | ||
I simply admire Réka's works and the cosmic, surreal worlds she creates. Love fills me with warm sadness and tightness in my chest. |
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| Martin Cries Martin pleure | Jonathan Vinel | Frankrijk | 2017 | 16’ | ||
Gaming, violence and male loneliness (before it even became a "thing")... This is another film that I revisit strangely often. Jonathan's (and later, his and Caroline's) films always strike me with their originality, vulnerability, and lyricism. |
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| The Christmas Gift Cadoul de Craciun | Bogdan Muresanu | Roemenië | 2018 | 23’ | ||
It seems to me that this list lacks some Eastern European humour. So here we go. |
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| Kyiv Frescoes Київські фрески | Sergei Parajanov | Oekraïne | 1965 | 15’ | ||
I feel like wrapping it up with the unfinished work of this enigmatic artist who brought his legacy, heritage and unique aesthetics to Ukraine and became one of the fathers of Ukrainian poetic cinema. Kyiv Frescoes is heartbreaking – both in the topic that it explores (the aftermath of WWII) and its backstory (the film was meant to become a feature but was terminated by soviet russian authorities). Nevertheless, we end up with a mesmerising and haunting collage of Parajaniants' footage, stuck between existing and vanishing. |
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