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Anna Henckel-Donnersmarck
Anna Henckel-Donnersmarck nam deel aan de poll “Greatest” Short Films of All Time 2025, een unieke publieksbevraging als collectieve liefdesbrief aan de kunst van de korte film. yanco en Kurzfilm Festival Hamburg, in samenwerking met Talking Shorts, nodigden filmmakers, curatoren, distributeurs, critici en academici wereldwijd uit om tien audiovisuele werken van minder dan zestig minuten te nomineren die zij persoonlijk beschouwen als de “beste” aller tijden. Dit was de inzending van Anna Henckel-Donnersmarck:
| Movie | Original Title | Director | Country | Year | Duration | |
|---|---|---|---|---|---|---|
| Overtime | Oury Atlan, Thibaut Berland, Damien Ferrié | Frankrijk | 2004 | 5’ | ||
I have the feeling that many of those who contributed to this canon of short films are driven by a similar energy, love and appreciation for the art of short films as these Kermit look-a-likes show for their beloved creator. |
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| Jill, Uncredited | Anthony Ing | Canada, Verenigd Koninkrijk | 2022 | 18’ | ||
Since the short film canon not only presents the top 10 films that turned out to be the smallest common denominator most people could agree on, but also the other 94 films that a minimum of 4 people have voted for, it brings attention to the beauties that are waiting to be discovered at the margins of the mainstream. Just like Jill, Uncredited, which pays homage to those who are easy to overlook. |
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| Circle | Joung Yumi | Zuid-Korea | 2024 | 7’ | ||
The short film canon captures a moment in time. We might all have chosen different films five years ago and will most likely change our lists in the next five years. But for now, these 104 films are brought together in one place to peacefully share time and space, just like the people within the chalk circle the little girl drew on the floor in Circle. |
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| Ten Minutes Older Par desmit minūtēm vecāks | Herz Frank | Letland | 1978 | 10’ | ||
What I like most about this reflection on empathy is the title. It beautifully summarizes the potential of art to make us older, wiser, richer, and more mature. Even in just 10 minutes. |
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| Ten Meter Tower Hopptornet | Axel Danielson , Maximilien Van Aertryck | Zweden | 2016 | 17’ | ||
This film is a beautiful testimony of the pleasure cinema can bring - to go through a roller coaster of emotions together in a room full of strangers, hear individuals laughing at different moments in the film, holding the breath in unison and together share a sigh of relief and compassion. |
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| RGB XYZ | David O'Reilly | Ierland | 2008 | 13’ | ||
Every now and then a film comes along that is so unique and different to the others, that it adds a new vocabulary to the language of cinema – even when it’s retelling one of the oldest stories in the book, in this case the hero’s coming of age. |
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| Starfuckers | Antonio Marziale | Verenigde Staten | 2022 | 15’ | ||
Some short films are like pop songs - you can watch them on auto-repeat and never get bored. You know every line, every frame, every edit by heart, you can almost sing along, and yet it manages to touch you again and again. For me, this is one of those films. |
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| How To Disappear | Total Refusal | Oostenrijk | 2020 | 21’ | ||
Short films often turn out to be a seismograph of our times; they can feel what’s in the air way before the public discourse picks up on it. This film finds an artistic expression that couldn’t be more fitting: it uses the world and game engine of a computer war game to talk about the history of warfare and different possibilities of deserting a battlefield. |
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| Wishing well | Sylvia Schedelbauer | Duitsland | 2018 | 13’ | ||
A timeless classic that sucks you into the sublime world that lies between two frames. |
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| n.n. | ||||||
I would like to dedicate this space to all those films which are not available. Please, dear filmmakers, share your films with the world, put them online wherever you want, and make them accessible, with or without paywall, distributor, agency, archive or personal webpage. Don’t let them sleep in some hidden corners or on dusty hard drives. Give us a chance to discover them, to recommend them, programm and show them, reflect on them and remember them. |
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