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Atlantiques
Atlantiques (Mati Diop, 2009)

    Atlantiques

    Mati Diop, France, Senegal, 2009, 16’

    On the beach, gathered around a fire, a group of young Senegalese men discusses a possible attempt to cross the ocean to Spain. Mati Diop’s experimental documentary Atlantiques is a precursor but also a narrative sidestep to what would become her feature debut, Atlantics, ten years later. 

    The two men who speak up the most debate whether the dangerous journey is worth it. Can one find work in Europe? They discuss a previous, failed journey, as well as harsh economic realities and their spiritual beliefs. Diop contrasts the darkness that surrounds them with sometimes blinding light, emphasising the crux of the conflict between a bleak home and the allure of the unknown.

    Bio Mati Diop

    French-Senegalese actress and filmmaker Mati Diop (1982) directed the film Atlantics in 2019. It made her the first Black female director in contention for the Cannes Film Festival’s highest prize, the Palme d'Or. Instead, the film won the Grand Prix.
    453
    • This film was #37 in the “Greatest” Short Films of All Time 2025
      voted by Emily Wright, Andréa Picard, Elspeth Vischer, Delphine Jeanneret, Clara Helbig, Peter van Hoof, Jason Anderson
    documentary politics drama

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    Ours is a Country of Words

    Mathijs Poppe, Belgium, Lebanon, 2017, 42’

    Filmed in Shatila, a refugee camp built in Lebanon when thousands of Palestinians fled their country in 1948. At an undetermined moment in the future, the refugees’ dream of returning to Palestine becomes a reality.

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    Self-Portrait

    Jonas Mekas, USA, 1980, 20’

    In what one could call Jonas Mekas’ first video blog, the Lithuanian avant-garde filmmaker reflects on his life and the art of cinema and representation.

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    Paradise (Laura Vandewynckel, 2014)
    Paradise (Laura Vandewynckel, 2014)
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    Paradise

    Laura Vandewynckel, Belgium, 2014, 6’

    People are heading for a better place on either side of the ocean. Although their paths do cross at times, they never really seem to meet. Paradise is a light-hearted yet critical reflection on the ethics of tourism.

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    À l’usage des vivants

    Pauline Fonsny, Belgium, 2019, 27’

    In 1998, Semira Adamu, a 20-year-old Nigerian immigrant, died on Belgian soil of suffocation under a police pillow. Twenty years later, two women tell her story in a cry for justice. Through this film, they highlight the reality of detention centres: the harsh conditions of confinement, the suffering of detainees and the abuse by guards and police officers.

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    The Stopover

    Collectif Faire-part, Belgium, DR Congo, 2022, 14’

    Filmmakers Paul Shemisi and Nizar Saleh embark on a journey from the Democratic Republic of Congo to Germany to screen their latest film. However, during a layover in Angola, their trip takes a harrowing turn when airport authorities question the authenticity of their documents.

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    Devotion

    Cynthia Madansky, Turkey, 2003, 34’

    A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

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    Water and Salt

    Luisa Mello, Belgium, Brazil, 2019, 10’

    A journey through the consciousness of a woman whose country is under threat from a fascist government.

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    All We Ever Wanted Was Everything

    Enzo Smits, Belgium, 2014, 19’

    A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

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