Spacy elaborates the concept of ‘infinite regress’ through a zoom-in to a grandstand on which animated photos show a zoom of the same stand, ad infinitum, with reverses and variations. All its components—location, illusion, and time—are strictly combined in an endless cycle, like a Möbius strip or an Escher film, in a Japanese tempo, from slow to fast.
For Tengu: God of Mischief, Colin Read spent over two years filming skateboarders, from the rooftops and subways of New York to the streets of Tokyo and Bordeaux. His moving camera creates a sense of continuity, reminiscent of a city symphony
