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Esmé Holden
Esmé Holden participated in “Greatest” Short Films of All Time 2025, a first-ever poll of its kind as a collective love letter to the art of short-form moving image. yanco and Kurzfilm Festival Hamburg, in collaboration with Talking Shorts, invited filmmakers, curators, distributors, critics, and scholars worldwide to nominate 10 audiovisual works under sixty minutes that they personally consider the “greatest” of all time. This was Esmé Holden’s submission:
| Movie | Original Title | Director | Country | Year | Duration | |
|---|---|---|---|---|---|---|
| Washerwomen on the River euses sur la rivière | Louis Lumière , Auguste Lumière | France | 1897 | 1’ | ||
| The Unchanging Sea | D.W. Griffith | USA | 1910 | 14’ | ||
| Snow-White | Dave Fleischer | USA | 1933 | 7’ | ||
| The Dover Boys at Pimento University, or The Rivals of Roquefort Hall | Chuck Jones | USA | 1942 | 9’ | ||
| Anticipation of the Night | Stan Brakhage | USA | 1958 | 42’ | ||
| Wavelength | Michael Snow | Canada, USA | 1967 | 45’ | ||
| Elephant | Alan Clarke | United Kingdom | 1989 | 37’ | ||
| The Seats of the Alcazar Les Sièges de l'Alcazar | Luc Moullet | France | 1989 | 54’ | ||
| Dottie Gets Spanked | Todd Haynes | USA | 1993 | 30’ | ||
| In the Darkness of Time Dans le noir du temps | Jean-Luc Godard | France | 2002 | 10’ | ||