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Ulrich Ziemons
Ulrich Ziemons participated in “Greatest” Short Films of All Time 2025, a first-ever poll of its kind as a collective love letter to the art of short-form moving image. yanco and Kurzfilm Festival Hamburg, in collaboration with Talking Shorts, invited filmmakers, curators, distributors, critics, and scholars worldwide to nominate 10 audiovisual works under sixty minutes that they personally consider the “greatest” of all time. This was Ulrich Ziemons’s submission:
| Movie | Original Title | Director | Country | Year | Duration | |
|---|---|---|---|---|---|---|
| 500 Millibars to Ecstasy | George Kuchar | USA | 1989 | 16’ | ||
| Equinox | Margaret Honda | USA | 2020 | 21’ | ||
| Line Describing a Cone | Anthony McCall | United Kingdom | 1973 | 30’ | ||
| Perfect Film | Kevin Jacobs | USA | 1986 | 22’ | ||
| Heat Shimmer | Corinne Cantrill, Arthur Cantrill | Australia | 1978 | 13’ | ||
| Sound That | Kevin Jerome Everson | USA | 2014 | 12’ | ||
| Fugue | Kerstin Schroedinger | Austria | 2015 | 12’ | ||
| The Periphery of the Base 基地之侧 | Zhou Tao | China | 2024 | 53’ | ||
| Light Music | Liz Rhodes | United Kingdom | 1975 | 31’ | ||
| Dusty Stacks of Mom: The Poster Project | Jodie Mack | USA | 2013 | 42’ | ||