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streaming library

a carefully curated streaming library of short films and videos, presented as double-bills, and in series or permanent collections

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Devotion

Cynthia Madansky, Turkey, 2003, 34’

A sparing and minimal travelogue of Istanbul. A foreigner meditates on the unraveling of a relationship while moving from hotel room to hotel room. In a city simultaneously devoted to Islam and secular nationalism, she finds refuge in the frailty and severity of rituals.

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Old Child

Elettra Bisogno, Hazem Alqaddi, Belgium, Palestine, 2019, 16’

Old Child depicts the fragmented story of Hazem, who had to flee Gaza. Throughout this stream-of-consciousness montage of dreams and reminiscences, he searches for order but also for the beauty he left behind.

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Self-Portrait

Jonas Mekas, USA, 1980, 20’

In what one could call Jonas Mekas’ first video blog, the Lithuanian avant-garde filmmaker reflects on his life and the art of cinema and representation.

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Magic, a portrait of Joris

Chloë Delanghe, Belgium, 2018, 15’

In Magic, a portrait of Joris, images sourced from different periods in time are glued together. Worn-out VHS footage filmed by the artist’s father is placed beside 8mm images she filmed herself. Both have the same subject: one boy, both a son and a brother. Connecting images of then and now, a new narrative of remembering opens up.

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Da-Dzma

Jaro Minne, Belgium, 2019, 16’

Winter. A fifteen-year-old girl in a remote Georgian town tries to get closer to her older brother just as he decides to leave home in search of work abroad.

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Mars, Oman

Vanessa del Campo, Belgium, 2019, 20’

Oman’s vast plains look so much like Mars that they are used as a training ground for astronauts. Two local girls gaze at the starry sky like curious scientists while the astronauts philosophise about living on the Red Planet.

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Gestes du repas

Luc de Heusch, Belgium, 1958, 23’

This satirical ethnographic film shows eating Belgians in diverse contexts. Dinner scenes at weddings, funerals, Christmas, and New Year’s Eve portray a country: loneliness and community alternate, just as wealth and poverty.

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Atopia

Olivier De Vos, Belgium, 2021, 18’

An introspective essay about the search for a place between reality and imagination: a placeless place made up out of dreams and a longing for fluidity. Slowly, the grains of the compressed image become the sands of the atopic beach, revealing an imaginary place.

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Akaboum

Manon Vila, France, 2019, 30’

A portrait of contemporary suburban youth seeking to invent new contours of collective identity, against the backdrop of France in the throes of recession.

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+6 Gain

Jorn Plucieniczak, Belgium, 2019, 26’

Symen and Sam pass their time in the monotony of a post-industrial suburb. They seem to linger in a kind of perpetual twilight countered by the invisible presence of ‘hardcore’. While gaming, they end up searching for the core of their desires.

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she asked me where i was from

Aulona Fetahaj, Belgium, Kosovo, 2020, 24’

Drawing on digital memories and using online tools such as Google Maps, Aulona Fetahaj reflects on how it feels to be the child of refugees in the digital age.

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À Gis

Thiago Carvalhaes, Belgium, Portugal, 2017, 20’

The Brazilian trans woman Gisberta lived as an immigrant in Portugal. After she was brutally murdered, she became an icon for the transgender rights cause.

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D’un château l’autre

Emmanuel Marre, Belgium, 2018, 40’

Pierre, 25 years old and on a scholarship for a prestigious Parisian university, is lodged by Francine, who is 75, disabled, and confined to her wheelchair. Both puzzled and disoriented, they witness the French presidential elections of 2017 play out.

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Waithood

Louisiana Mees-Fongang, Belgium, 2019, 21’

In Athens, five youngsters avoid waiting for an empty future by seeking entertainment in the luxurious Airbnb establishments that one of them is cleaning for a meagre fee.

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All We Ever Wanted Was Everything

Enzo Smits, Belgium, 2014, 19’

A portrait of young skateboarders growing up in a Flemish suburban town. We meet different characters going through their daily routines: riding around on their skateboards, waiting, hanging out, daydreaming...

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Trains de plaisir

Henri Storck, Belgium, 1930, 8’

The beach and its sunbathers. A series of sketches, small moments that culminate in a wry, loving portrait of a Sunday at the beach.

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Note on Multitude

Ibro Hasanović, Belgium, Kosovo, 2015, 8’

Intimate, emotional, and sometimes violent moments of farewell: men, women, and children leave their homes for an (unknown) future as migrants.

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yanco is a magazine and streaming library for short-form moving image

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